29. I.
Vrieslander ^† :

Gelungene Arbeiten der 1. Gatt. des 3-stimm. Satzes. Ueber Instrumentierung der Klassiker. 5. Symph. v. Beeth. Die schlechte Verbindung von Horn u. Cello bei Brahms. 4. Symph. 1. Satz. Die Hornfarben in „Tristan“ in Beeth. „Fidelio“ u. Kammermusik.

January 29, [1912]
Vrieslander ^† :

Successful workings in the first species of three-voice counterpoint. Concerning instrumentation in the classical composers. Beethoven’s Fifth Symphony. The bad doubling of horn and cello in Brahms’s Fourth Symphony, first movement. The horn colors in Tristan , in Beethoven’s Fidelio , and in chamber music.

29. I.
Vrieslander ^† :

Gelungene Arbeiten der 1. Gatt. des 3-stimm. Satzes. Ueber Instrumentierung der Klassiker. 5. Symph. v. Beeth. Die schlechte Verbindung von Horn u. Cello bei Brahms. 4. Symph. 1. Satz. Die Hornfarben in „Tristan“ in Beeth. „Fidelio“ u. Kammermusik.

January 29, [1912]
Vrieslander ^† :

Successful workings in the first species of three-voice counterpoint. Concerning instrumentation in the classical composers. Beethoven’s Fifth Symphony. The bad doubling of horn and cello in Brahms’s Fourth Symphony, first movement. The horn colors in Tristan , in Beethoven’s Fidelio , and in chamber music.