OC 3/1-2: Oct 1912-Jun 1913 - Hans Weisse: lesson: Friday, February 28, 1913
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28. Weisse † : Aufgaben, 2. Gatt. des 3-stimm. S. 1 recht gut; über auf Terzen zusammenges. Gedanken; aus op. 2 v. Beeth.; 2 über die Zusammensezt. des a1 im Adagio maesto aus op. 40 v. Brahms; daselbst b: fugirter Kopf mit Cadenz. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
[February] 28, [1913] Weisse † : Exercises, three-voice counterpoint, 2nd species, 1 rather good; on themes linked by thirds; from Beethoven Op. 2; 2 the structure of the a1 section of the Adagio maesto of Brahms Op. 40; the b section of the same: head motive fugally treated with cadence. © Translation Ian Bent, 2022-23 |
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28. Weisse † : Aufgaben, 2. Gatt. des 3-stimm. S. 1 recht gut; über auf Terzen zusammenges. Gedanken; aus op. 2 v. Beeth.; 2 über die Zusammensezt. des a1 im Adagio maesto aus op. 40 v. Brahms; daselbst b: fugirter Kopf mit Cadenz. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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[February] 28, [1913] Weisse † : Exercises, three-voice counterpoint, 2nd species, 1 rather good; on themes linked by thirds; from Beethoven Op. 2; 2 the structure of the a1 section of the Adagio maesto of Brahms Op. 40; the b section of the same: head motive fugally treated with cadence. © Translation Ian Bent, 2022-23 |
Footnotes1 Several of Weisse’s exercise books from his studies with Schenker have survived: for a detailed description, see Timothy L. Jackson, "Punctus contra punctus – a Counterpoint of Schenkerian and Weissian Analysis and Hans Weisse’s Counterpoint Studies with Heinrich Schenker," Journal of Schenkerian Studies, 4 (2010), pp. 87–186, esp. pp. 138–80. Hefte I–III (Notebooks 1–3) contain Weisse’s exercises for 1912/13. 2 As for example first movement, bb. 58 to 70, a four-bar phrase in E minor, G major, and Bę major, and bb. 277 to 289, A minor, C major, Eę major. |
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Format† Double underlined |