OC 3/1-2: Oct 1912-Jun 1913 - Hans Weisse: lesson: Tuesday, May 6, 1913
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6. {24} Weisse † : Aufg. der 5. Gatt. 1 ; recht gut; neuer Walzer in Dd, 2 ganz gut. Stellen aus dem 1. Satz des ital. Konzertes: Form des 2. S. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
[May] 6, [1913] {24} Weisse † : Exercises in fifth species, 1 rather good; new waltz in D major, 2 thoroughly good. Passages from the first movement of the Italian Concerto: the form of the second movement. © Translation Ian Bent, 2022-23 |
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6. {24} Weisse † : Aufg. der 5. Gatt. 1 ; recht gut; neuer Walzer in Dd, 2 ganz gut. Stellen aus dem 1. Satz des ital. Konzertes: Form des 2. S. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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[May] 6, [1913] {24} Weisse † : Exercises in fifth species, 1 rather good; new waltz in D major, 2 thoroughly good. Passages from the first movement of the Italian Concerto: the form of the second movement. © Translation Ian Bent, 2022-23 |
Footnotes1 Weisse’s study of counterpoint in May 2, [6,] and 9, 1913 is discussed in detail in Timothy L. Jackson, "Punctus contra punctus …," Journal of Schenkerian Studies iv (2010), 138 and 142–43, collated with Weisse’s own surviving counterpoint notebooks. Lessons for May 2 and 9, the exercises, with Schenker’s annotations, for which are preserved in the first notebook, cover three-voice counterpoint, fifth species and mixture with earlier species. 2 Presumably a composition by Weisse. |
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Format† Double underlined |