OC 3/1-2: Oct 1912-Jun 1913 - Hans Weisse: lesson: Tuesday, May 13, 1913
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13. Weisse † : 4-stimmiger Satz zum ersten mal, blos 2 Aufgaben 1 ; einiges über Rondo; Am v. Mozart; Ddur v. Mozart mehr Sonatenform, trotz Titel; einiges über Fantasien, Em. Bach, Mozart; Abwechslung von Gängen u. ariosen Elementen. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
[May] 13, [1913] Weisse † : Four-voice counterpoint for the first time, a mere two exercises 1 ; some points about the Mozart Rondo in A minor, and the Mozart D major more sonata form, despite title; some points about fantasies, C. P. E. Bach, Mozart; diversion from passagework and arioso elements. © Translation Ian Bent, 2022-23 |
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13. Weisse † : 4-stimmiger Satz zum ersten mal, blos 2 Aufgaben 1 ; einiges über Rondo; Am v. Mozart; Ddur v. Mozart mehr Sonatenform, trotz Titel; einiges über Fantasien, Em. Bach, Mozart; Abwechslung von Gängen u. ariosen Elementen. © Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23 |
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[May] 13, [1913] Weisse † : Four-voice counterpoint for the first time, a mere two exercises 1 ; some points about the Mozart Rondo in A minor, and the Mozart D major more sonata form, despite title; some points about fantasies, C. P. E. Bach, Mozart; diversion from passagework and arioso elements. © Translation Ian Bent, 2022-23 |
Footnotes1 Weisse’s study of counterpoint on May 13, 16, and 20, 1913 is discussed in detail in Timothy L. Jackson, "Punctus contra punctus …," Journal of Schenkerian Studies iv (2010), 139 and 146ff, collated with Weisse’s own surviving counterpoint notebooks. Lessons for those dates, the exercises, with Schenker’s annotations, for which are preserved in the first and second notebooks, cover four-voice counterpoint, first species. |
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Format† Double underlined |