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30.
Weisse
†
: Secund-Accord, 2. Abschnitt 5/2[vertical] u.
5/4/2[vertical]
1
bis zum
Septimen-Accord;
2
erster Einblick in der Septimen-Accord.
Meistenteils richtige Lösungen aus der Gmoll-Ballade von Chopin.
© Transcription Robert Kosovsky, 2007, 2020
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[April] 30,
[1914]
Weisse
†
: The chord of the second, section 2, 5/2[vertical], and 5/4/2[vertical]
1
as far as the chord of the
seventh;
2
first glance
at the chord of the seventh. For the most part correct
solutions [to problems] in the G minor
Ballade of Chopin.
© Translation Ian Bent, 2020
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30.
Weisse
†
: Secund-Accord, 2. Abschnitt 5/2[vertical] u.
5/4/2[vertical]
1
bis zum
Septimen-Accord;
2
erster Einblick in der Septimen-Accord.
Meistenteils richtige Lösungen aus der Gmoll-Ballade von Chopin.
© Transcription Robert Kosovsky, 2007, 2020
|
[April] 30,
[1914]
Weisse
†
: The chord of the second, section 2, 5/2[vertical], and 5/4/2[vertical]
1
as far as the chord of the
seventh;
2
first glance
at the chord of the seventh. For the most part correct
solutions [to problems] in the G minor
Ballade of Chopin.
© Translation Ian Bent, 2020
|
Footnotes
1 C. P. E. Bach, Essay on the True Art of Playing Keyboard
Instruments, Eng. transl. William J.
Mitchell (New York: W. W. Norton; London: Cassell, 1949;
London: Eulenburg, 1974), pp. 260–62 (= chapter IX/2), "The Chord of the Second (II)"; pp. 262–64 (= X),
"The Five-Two Chord"; and p. 264 (= XI),
"The Five-Four-Two Chord."
2 ibid.: "The Chord of the
Seventh" is chap. XIII, beginning on p. 265; thus Schenker is
implicitly indicating the short chapter XII, pp. 264–65, "The Three-Two Chord." Weisse embarks on chapter XIII on May
4.
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