30.
Weisse :

Secund-Accord, 2. Abschnitt 5/2[vertical] u. 5/4/2[vertical] 1 bis zum Septimen-Accord; 2 erster Einblick in der Septimen-Accord. Meistenteils richtige Lösungen aus der Gmoll-Ballade von Chopin.

© Transcription Robert Kosovsky, 2007, 2020


[April] 30, [1914]
Weisse :

The chord of the second, section 2, 5/2[vertical], and 5/4/2[vertical] 1 as far as the chord of the seventh; 2 first glance at the chord of the seventh. For the most part correct solutions [to problems] in the G minor Ballade of Chopin.

© Translation Ian Bent, 2020


30.
Weisse :

Secund-Accord, 2. Abschnitt 5/2[vertical] u. 5/4/2[vertical] 1 bis zum Septimen-Accord; 2 erster Einblick in der Septimen-Accord. Meistenteils richtige Lösungen aus der Gmoll-Ballade von Chopin.

© Transcription Robert Kosovsky, 2007, 2020


[April] 30, [1914]
Weisse :

The chord of the second, section 2, 5/2[vertical], and 5/4/2[vertical] 1 as far as the chord of the seventh; 2 first glance at the chord of the seventh. For the most part correct solutions [to problems] in the G minor Ballade of Chopin.

© Translation Ian Bent, 2020

Footnotes

1 C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974), pp. 260–62 (= chapter IX/2), "The Chord of the Second (II)"; pp. 262–64 (= X), "The Five-Two Chord"; and p. 264 (= XI), "The Five-Four-Two Chord."

2 ibid.: "The Chord of the Seventh" is chap. XIII, beginning on p. 265; thus Schenker is implicitly indicating the short chapter XII, pp. 264–65, "The Three-Two Chord." Weisse embarks on chapter XIII on May 4.