Ende Februar [1916]:
Kahn :

Wohltemp. Kl: Asd-Präl., Fuge; Gism; beide nur sehr flüchtig. Kammermusik von Brahms: Ein erstes flüchtiges Betrachten von Fm-Quint; Horn-Trio, Hd-Trio, Kl.-V.-Sonate Gd; nun Kl.-V.-Sonate Ad. Wiederholt Soirée de Vienne von Liszt für Fr. Stirling. ‒

© Transcription Robert Kosovsky, 2007


January-February [1916]:
Kahn :

Well-tempered Clavier : Aę major Prelude & Fugue; Gě minor; both only very fleetingly. Chamber music of Brahms: a first fleeting consideration of the F minor Quintet; Horn Trio, B major Trio, Violin & Piano Sonata in G major; now Violin & Piano Sonata in A major. Revisited: Soirée de Vienne by Liszt für Mrs. Stirling.

© Translation Ian Bent, 2020


Ende Februar [1916]:
Kahn :

Wohltemp. Kl: Asd-Präl., Fuge; Gism; beide nur sehr flüchtig. Kammermusik von Brahms: Ein erstes flüchtiges Betrachten von Fm-Quint; Horn-Trio, Hd-Trio, Kl.-V.-Sonate Gd; nun Kl.-V.-Sonate Ad. Wiederholt Soirée de Vienne von Liszt für Fr. Stirling. ‒

© Transcription Robert Kosovsky, 2007


January-February [1916]:
Kahn :

Well-tempered Clavier : Aę major Prelude & Fugue; Gě minor; both only very fleetingly. Chamber music of Brahms: a first fleeting consideration of the F minor Quintet; Horn Trio, B major Trio, Violin & Piano Sonata in G major; now Violin & Piano Sonata in A major. Revisited: Soirée de Vienne by Liszt für Mrs. Stirling.

© Translation Ian Bent, 2020