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Profiles Person Place Organization Work by Schenker Journal Musical Composition Downloads temporarily removed for testing purposes	Franz Liszt Documents associated with this person: Correspondence Diaries Lessonbooks Types person Names Franz Liszt Relationships “Angelus!,” Années de pèlerinage III, No. 1 is composed by Franz Liszt “Après une lecture de Dante,” Années de pèlerinage II, No. 7 is composed by Franz Liszt “Au bord d’une source,” Années de pèlerinage I, No. 4 is composed by Franz Liszt “Au lac de Wallenstadt,” Années de pèlerinage I, No. 2 is composed by Franz Liszt “Aux cyprès de la Villa d’Este (3/4),” Années de pèlerinage III, No. 2 is composed by Franz Liszt “Aux cyprès de la Villa d’Este (4/4),” Années de pèlerinage III, No. 3 is composed by Franz Liszt “Canzonetta del Salvator Rosa,” Années de pèlerinage II, No. 3 is composed by Franz Liszt “Eglogue,” Années de pèlerinage I, No. 7 is composed by Franz Liszt “Il penseroso,” Années de pèlerinage II, No. 2 is composed by Franz Liszt “La chapelle de Guillaume Tell,” Années de pèlerinage I, No. 1 is composed by Franz Liszt “Le mal du pays,” Années de pèlerinage I, No. 8 is composed by Franz Liszt “Les cloches de Genève,” Années de pèlerinage I, No. 9 is composed by Franz Liszt “Les jeux d’eau à la Villa d’Este,” Années de pèlerinage III, No. 4 is composed by Franz Liszt “Marche funèbre,” Années de pèlerinage III, No. 6 is composed by Franz Liszt “Orage,” Années de pèlerinage I, No. 5 is composed by Franz Liszt “Pastorale,” Années de pèlerinage I, No. 3 is composed by Franz Liszt “Sonetto 104 del Petrarca,” Années de pèlerinage II, No. 5 is composed by Franz Liszt “Sonetto 123 del Petrarca,” Années de pèlerinage II, No. 6 is composed by Franz Liszt “Sonetto 47 del Petrarca,” Années de pèlerinage II, No. 4 is composed by Franz Liszt “Sposializio,” Années de pèlerinage II, No. 1 is composed by Franz Liszt “St François d’Assise: la prédication aux oiseaux,” [Vogelpredigt], Légendes, No. 1 is composed by Franz Liszt “St François de Paule marchant sur les flots,” Légendes No. 2 is composed by Franz Liszt “Sunt lacrymae rerum,” Années de pèlerinage III, No. 5 is composed by Franz Liszt “Sursum corda,” Années de pèlerinage III, No. 7 is composed by Franz Liszt “Vallée d’Obermann,” Années de pèlerinage I, No. 6 is composed by Franz Liszt Années de pèlerinage, deuxième année: Italie is composed by Franz Liszt Années de pèlerinage, première année: Suisse is composed by Franz Liszt Années de pèlerinage, troisième année is composed by Franz Liszt Légendes is composed by Franz Liszt Piano Concerto No. 1 in Eb major, S 124 is composed by Franz Liszt Piano Concerto No. 2 in A major, S 125 is composed by Franz Liszt Third Mephisto Waltz is composed by Franz Liszt Piano Sonata in B minor, S178/R21 is composed by Franz Liszt Les préludes is composed by Franz Liszt Missa Choralis is composed by Franz Liszt Hungarian Rhapsody No. 8 in F# minor is composed by Franz Liszt Die Ideale is composed by Franz Liszt Mazeppa (symphonic poem) is composed by Franz Liszt Festklänge is composed by Franz Liszt Hungarian Rhapsody No. 2 in C# major is composed by Franz Liszt Soirées de Vienne, S427 is composed by Franz Liszt Soirée de Vienne No. 1 in A-flat major (Allegretto malinconico) is composed by Franz Liszt Soirée de Vienne No. 2 in A-flat major (Poco allegro) is composed by Franz Liszt Soirée de Vienne No. 3 in E major (Allegro vivace) is composed by Franz Liszt Soirée de Vienne No. 4 in D-flat major (Andantino a capriccio) is composed by Franz Liszt Soirée de Vienne No. 5 in G-flat major (Moderato cantabile) is composed by Franz Liszt Soirée de Vienne No. 6 in A minor (Allegro con strepito) is composed by Franz Liszt Soirée de Vienne No. 7 in A major (Allegro spiritoso) is composed by Franz Liszt Soirée de Vienne No. 8 in D major (Allegro con brio) is composed by Franz Liszt Soirée de Vienne No. 9 in A-flat major (Preludio a capriccio) is composed by Franz Liszt Soirée de Vienne in A-flat major is composed by Franz Liszt Hungarian Rhapsody No. 14, S.244/14, in F minor is composed by Franz Liszt Die Loreley, S. 273 is composed by Franz Liszt Hungarian Fantasy is composed by Franz Liszt Downloads temporarily removed for testing purposes Correspondence OJ 9/6, [7] Handwritten letter with inclosure from Eugen d'Albert to Schenker, dated September 2, 1894 Eugen d'Albert incloses his autobiographical contribution to Schenker's forthcoming feature article in Die Zukunft. He apologizes for the non-arrival of the MS piano reduction of his new opera, Ghismonda, which he describes as a "psychological character sketch," and thanks Schenker for his interest. OJ 11/42, [17] Handwritten letter from Maximilian Harden to Schenker, dated September 8, 1894 Harden welcomes an article by Schenker on Eugen d'Albert, and encourages Schenker to get d'Albert to revise an autobiographical sketch that will precede Schenker's article. OJ 9/6, [9] Handwritten letter from Eugen d'Albert to Schenker, dated September 8, 1894 Eugen d'Albert provides further information about his relationship with Franz Liszt. OJ 9/6, [22] Handwritten postcard from Eugen d'Albert to Schenker, dated October 18, 1897 Eugen d'Albert has disclaimed responsibility for Paula Szalit because her family is insisting that she play (in public) throughout the coming winter. WSLB 47 Handwritten letter from Schenker to Hertzka (UE), dated November 9, 1909 Schenker resists attending a meeting with Hertzka and von Wöß regarding the printing of his edition of the Chromatic Fantasy & Fugue; asserts his rights as an author to control over his own material; and makes claims for the introduction to his Instrumentations-Tabelle, which was not accepted for inclusion in 1908 reprinting. WSLB 66/67 Handwritten letter from Schenker to Hertzka (UE) + list of names, dated October 19, 1910 Schenker cancels their Thursday meeting. — He argues for sweeping changes to the draft contract for Beethovens neunte Sinfonie. — He defends his own free speech in the face of Universal Edition's commercial interests. As with his Chromatic Fantasy & Fugue edition, UE will never regret publishing the Ninth Symphony monograph. — He also lauds the prospective editions of the last five Beethoven piano sonatas and volume of J. S. Bach toccatas in a lofty vision for future publications. — He appends a list of recipients of complimentary copies of the Chromatic Fantasy & Fugue. OJ 13/29, [8] Handwritten letter from Rosenthal to Schenker, dated November 10, 1912 Rosenthal apologizes for mishandling of ticket issue, and raises the matter of forming an artists' organization. OJ 89/1, [4] Handwritten letter from Schenker to van Hoboken, dated September 6, 1927 Schenker comments on Hoboken's Appeal [for the Photogrammarchiv], sets out what is necessary for correctly reading an autograph manuscript and understanding its relationship to the first edition, and rails against the tendency of performers, including Furtwängler, to think such matters trivial. OJ 10/3, [74] Typewritten postcard from Deutsch to Schenker, dated November 22, 1927 Deutsch suspects that with the typesetters' "messing up" of Schenker’s revised copy of Schubert’s “Unfinished” Symphony the material has been made illegible. — He has been in contact with people regarding a possible radio talk by Schenker, and one by himself on the redesigning of the Mozarteum. — He reports that the pianist Heinz Jolles would like Schenker to prepare an edition of one of Beethoven’s variation sets (WoO 80 or the “Diabelli”), and that Josef Braunstein is gratified to hear of Schenker’s interest in his recent book on the "Leonore" overtures. OJ 5/7a, [17] (formerly vC 17) Handwritten letter from Schenker to Cube, dated July 13, 1928 Schenker offers consoling words for low turn-out to Düsseldorf lecture; praises recent article by Cube, but corrects overstated connection between himself and Brahms and Joachim. OJ 10/3, [130] Handwritten picture postcard from Deutsch to Schenker, dated June 7, 1930 Deutsch comments on the Beethoven military march (tattoo) he came across; he is still looking for an arranger for Schubert’s marches for piano. OJ 89/9, [2] Handwritten letter from Schenker to Hoboken, undated [October 7, 1933] Schenker acknowledges receipt of money transfer; — alludes to Jonas's forthcoming book and two other books now in progress about his work; — refers to a review of his Oktaven u. Quinten that misunderstands the nature of Brahms's collection. FS 40/1, [19] Handwritten letter from Schenker to Salzer, undated [December 31, 1933] Schenker sends New Year's greetings, recommends a Bartók recording, and looks forward to listening to a Toscanini recording. OJ 15/22, [10] Handwritten letter and envelope from Willfort to Jeanette Schenker, dated July 5, 1935 Willfort lays out his plans for an abbreviated edition of Schenker's Harmonielehre, and explains his negotiations with Alfred Kalmus of UE. LC ASC 27/45, [34] Handwritten letter from Moriz Violin to Schoenberg, undated [October 1?, 1949] Violin reports on a successful performance of a C. P. E. Bach concerto at the Carmel Bach Festival and on a Music Teacher's Convention in San Francisco. Diaries Diary entry by Schenker for 20 April 1906 Diary entry by Schenker for 19 November 1906 Diary entry by Schenker for 26 January 1907 Diary entry by Schenker for 27 January 1907 Diary entry by Schenker for 29 September 1907 Diary entry by Schenker for 15 January 1908 Diary entry by Schenker for 7 November 1915 Diary entry by Schenker for 21 November 1915 Diary entry by Schenker for 12 December 1915 Diary entry by Schenker for 23 January 1916 Diary entry by Schenker for 12 March 1916 Diary entry by Schenker for 23 February 1919 Diary entry by Schenker for 1 February 1927 Diary entry by Schenker for 21 February 1928 Diary entry by Schenker for 25 March 1928 Diary entry by Schenker for 8 April 1928 Diary entry by Schenker for 10 April 1928 Diary entry by Schenker for 12 November 1928 Diary entry by Schenker for 17 November 1928 Diary entry by Schenker for 16 December 1928 Diary entry by Schenker for 3 February 1929 Diary entry by Schenker for 25 April 1929 Diary entry by Schenker for 19 February 1930 Diary entry by Schenker for 9 April 1930 Diary entry by Schenker for 26 January 1931 Diary entry by Schenker for 26 November 1931 Diary entry by Schenker for 3 December 1931 Diary entry by Schenker for 30 July 1933 Lessonbooks OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday January 31, 1912 OC 3/1: Jan 1912-Mar 1912 Otto Vrieslander: lesson: Thursday February 1, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 7, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 14, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 21, 1912 OC 3/1: Jan 1912-Mar 1912 Trude Kaff: lesson: Wednesday February 28, 1912 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday October 8, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday October 22, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday December 17, 1913 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Monday, January 7, 1914 OC 3/2-3: Oct 1913-Jun 1914 Trude Kaff: lesson: Wednesday, January 14, 1914 OC 3/2-3: Oct 1913-Jun 1914 Angi Elias: lesson: Saturday, March 7, 1914 OC 3/3: Oct 1914-Jun 1915 Hans Weisse: lesson: October 27, 1914 OC 3/3: Oct 1915-Jun 1916 Sofie Deutsch: lessons: Oct 1915 OC 3/3: Oct 1915-Jun 1916 Marianne Kahn: lessons: Jan-Feb 1916 OC 3/3: 1916/17 Fräulein König: lessons: October-November [1916]