OC 3/3: 1921/22 - Evelina Pairamall: lessons: 1921/22
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Pairamall:
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1
Beethoven: Klavier-Violin-Sonate Amoll, Linie u. Stufen im 1. Satz, mit Schiffer gespielt. 2 Bach: Chromatische Fantasie, wiederholt. Händel: Klavier-Violin-Sonate mit Pullmann. 3 Beethoven: Trio Cmoll, Bdur mit Pullmann u. Lewin. 4 Trio B-dur (großes), 1. u. 2. Satz allein. 5 Klavier-Violin-Sonate Gdur op. 97 [recte 96] mit Schiffer. © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2022 |
Pairamall:
†
1
Beethoven: Sonata for Piano and Violin in A minor, line and scale-steps in the first movement, played with Schiffer. 2 Bach: Chromatic Fantasy revisited. Handel: Sonata for Keyboard and Violin with Pullmann. 3 Beethoven: Trios in C minor and Bę major with Pullmann and Lewin. 4 Trio in Bę major (the large one), first and second movements alone. 5 Sonata for Piano and Violin in G major Op. 97 [recte 96] with Schiffer. © Translation Alan Dodson, 2022 |
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Pairamall:
†
1
Beethoven: Klavier-Violin-Sonate Amoll, Linie u. Stufen im 1. Satz, mit Schiffer gespielt. 2 Bach: Chromatische Fantasie, wiederholt. Händel: Klavier-Violin-Sonate mit Pullmann. 3 Beethoven: Trio Cmoll, Bdur mit Pullmann u. Lewin. 4 Trio B-dur (großes), 1. u. 2. Satz allein. 5 Klavier-Violin-Sonate Gdur op. 97 [recte 96] mit Schiffer. © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2022 |
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Pairamall:
†
1
Beethoven: Sonata for Piano and Violin in A minor, line and scale-steps in the first movement, played with Schiffer. 2 Bach: Chromatic Fantasy revisited. Handel: Sonata for Keyboard and Violin with Pullmann. 3 Beethoven: Trios in C minor and Bę major with Pullmann and Lewin. 4 Trio in Bę major (the large one), first and second movements alone. 5 Sonata for Piano and Violin in G major Op. 97 [recte 96] with Schiffer. © Translation Alan Dodson, 2022 |
Footnotes1 Schenker increases Pairamall’s fee to 10,000 Kr. a lesson in January, and imposes a further increase in May (perhaps for the following saison). Pairamall also started lessons with Hans Weisse in July 1921 at 500 Kr. — Schenker’s diary records several of the chamber music occasions, some noted in footnotes below. 2 Probably February 16, 1922 (diary). 3 March 2, 1922 (diary). 4 March 29, 1922 (diary). 5 May 17, 1922 (diary). |
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Format† Double underlined |