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Diary entry for 1913-05-03
... 3. Floriz bei Hübner; Fragen wegen des Durchganges in die Nebennote. 3. Floriz at Hübner's; questions about the passing tone’s transformation into a neighboring tone. ...
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Diary entry for 1907-04-13
... der Malerei dort. vgl. „die Stadt“ „auf dem Kirchhof“, u. dgl. Sat. 13 √ Over the table in the coffee-house, Dr Hirschfeld instructed on the difference in scope of tone-painting in Schubert and Brahms in contrast to that in Wolf and the most recent ...
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Diary entry for 1913-04-24
... evening, at Floriz's; Mrs. Violin in bed. He expresses the wish to polemicize against Réti's article. Concerning the seventh as a passing tone, whose passing-tone character excludes the possibility of a cadential effect at the outset. ...
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Diary entry for 1932-11-13
... . Work on "Neighboring Tone" for Free Composition. After teatime, to the skyscraper in the Herrengasse; new things elsewhere. Lie-Liechen at work on "Neighboring Tone" until 1:30 at night. ...
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Diary entry for 1933-09-02
... abwärts – Lie-Liechen schaut in zwei Villen. Einen Wiesenweg bergauf – wie könnten wir Staub u. Lärm umgehen, ohne auf unsere Ansprüche zu verzichten? Um ½7h Lese: „Chroma“. Patiençe. 2, fair weather. Work on the text of "Chromatic Tones" for Free ...
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Diary entry for 1931-05-13
... retrospectively to "Passing Tone" for Free Composition; "Syncopation" prepared After lunch, we withdraw 6,900 shillings from the Creditanstalt. ...
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Diary entry for 1932-05-25
... evening sky! After supper, dictation for Passing Tone in Free Composition. Games of solitaire. ...
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Diary entry for 1933-02-14
... Schneefall! „Durchgang“ für Der freie Satz abgeschlossen, auch „5–6“ – Lie-Liechen schreibt sogleich. 14, fair weather. From Oppel (letter): quotation from my article on Brahms in Die Zukunft. In the afternoon, snowfall! "Passing Tone" for Free Composition ...
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Diary entry for 1907-03-06
... at the Gesellschaft concert: the new secular style in Handel comes as a surprise. What direction in the arias and choruses! What tone-painting! Unfortunately (as always) un-Handelian realization as regards tempo, and in all other respects. Cadences by ...
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Diary entry for 1930-02-10
... . 51 in A minor, Dvořák Op. 51 in E major (of little interest!); a singer unknown to us by the name of Ioič surprises us with a beautiful tone and good performance. A waltz by Johann Strauß, the "Wahlstimmen-Walzer", refreshing. ...