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Diary entry for 1934-04-09
... . 9, 14°. I correct "Development" in Free Composition. From Baumgarten (letter): he apologizes. To Violin (by telephone): report of Furtwängler’s telephone call. First spring-like weather – we must stay at home. To Mrs. Rothberger (by telephone): I ...
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Diary entry for 1934-10-11
... typeset copy for Free Composition; if Lytle exceeds the agreed amount of quoted material he should pay a fee. Late in the evening, Miss Hunderisser brings the "modernized hat" for the umpteenth time. ...
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Diary entry for 1934-10-25
... not abandon him …." New galley proofsheets. Further work on the Foreword to Free Composition – Lie-Liechen writes the fair copy immediately. ...
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Diary entry for 1934-11-12
... Symphony and Tchaikovsky’s Fifth, was broadcast from Budapest. 12, rain! Proof corrections to Free Composition. Mengelberg with the Budapest Philharmonic: some things special, and beautiful! ...
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Diary entry for 1934-11-15
... spite of it being a holiday. Afternoon snack at Meinl: very reasonable. An intimate hour on the correction of the Foreword to Free Composition; Lie-Liechen fully geared up for the assignment and its realization: thank you! ...
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Diary entry for 1934-11-24
... 24. Korrekturen zu Der freie Satz. Dr. Lanzer zum Thee von 6–½9h! –: Plausch, zum Schluß: die geplante Schenkung macht keine Umstände; – Mozio kam nicht zur Sprache. Sehr ermüdet, spät zu Bett. 24. Proof corrections to Free Composition. Dr. Lanzer ...
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Diary entry for 1934-12-04
... 4. Bedeckt, 12°. Sammeltag. An die U.-E. gehen die Fahnen für Der freie Satz ab. v. H. bleibt 1½ Stunde – bringt im Namen der Frau strenges Süßes aus dem Sanatorium. 4, cloudy, 12°. Collection day. The galley proofs to Free Composition sent off to ...
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Diary entry for 1934-12-27
... (picture postcard): Christmas greeting. In the morning, a lot of work; I stay at home, contrary to our original plan; Lie-Liechen makes her way through eleven shops. As far as galley proof 53 for Free Composition. ...
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Diary entry for 1906-12-06
... -to-speak most conceivable and most beautiful tasks. Or is one to call a finger technique still great, even when it functions, and then only shoddily, in pieces of lesser spirit? Wretched performance of the Chopin Nocturne in G major (6/8). A player of such ...
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Diary entry for 1906-12-17
... technique, from time to time also beautiful playing, except that he is still, so to speak, physiologically immature: puerile depiction of Rubinstein's pathos (Sonata in A minor, Op. 100), too intensely childishly lacking in subtlety, too simple, too fast ...