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Searched for aria in Diaries (49 results found)

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  • Diary entry for 1925-02-06

    ... book, however I do not understand the expression: " . . but not in the least as a hermeneuticist." I start polishing the music examples, Urlinie graph, and text of the Prelude in E major. On the radio, arias, including "Non temer" by Mozart, also by ...

  • Diary entry for 1926-03-27

    ... Passion, and confuses aria and recitative with chorale. It was a serious mistake, too, for Klenau to involve the strings as the "shining wreath around the head of Christ" in the chaos of the dynamics – this was the first time I heard this; they the strings ...

  • Diary entry for 1928-04-27

    ... , is full of a technical assuredness of the sort that Mozart's contemporaries – even those in their fullest maturity – did not possess. concerto for two pianos, with a very good cadenza by Paumgartner; two arias sung by a lady from Munich who was not ...

  • Diary entry for 1929-10-29

    ... ability to enjoy. Even the expression of thanks has its causes: deeply felt obligation will be expressed intimately, etc. Radio: broadcast from Berlin, Bach's Suite in C major; Fidesser sings an aria from Don Giovanni und the dungeon scene from Fidelio ...

  • Diary entry for 1930-11-15

    ... substantially renovated, 4:30 to 5:45. Radio: Pataky sings arias. Work on Performance, continuing with dynamics. ...

  • Diary entry for 1928-03-28

    ... "Bewahret euch vor Weibertücken" in Act 2 is a short duet for the Second Priest and Speaker, not an aria. offenbar in Hinblick auf die böse Königin der Nacht u. manches böse Wort fällt wider das Weib, doch wird anderseits Pamina verherrlicht wegen ihrer ...

  • Diary entry for 1906-08-15

    ... Anna (Lilli Lehmann), and Donna Elvira's E aria. The long scene-changes were annoying. The orchestral sonority was persuasively rich; especially effective were the winds with light string accompaniment. Lively evening company after the opera. Wednesday ...

  • Diary entry for 1914-04-06

    ... Passion, with Messchaert as Christ. The performance sloppy as ever; the choruses (apart from the chorales) imprecise, unclear or lacking in nuance, to say nothing at all of the arias, which resembled an artistic speech as little as apes resemble humans ...

  • Diary entry for 1899-10-01

    ... , Mr. Franz Naval from Berlin, and Dr. Felix Kraus, it is the last-mentioned who seemed to stand out as the most significant. He has often been guilty of exaggerated expression, but the right expression suited the recitative and the arias that he ...

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