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... 9. II. Stirling: : Fm Nocturne feilen; die Nebennoten in der Schlußpassage. February 9, 1912 Stirling: Polishing of the F minor Nocturne; the neighbor-notes in the closing passage. ...
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... ‘s Eccossaises; new: Prelude in C minor, meticulous; neighbor-notes and variants. ...
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... 17. V. Elias: Liszt: Canzonetta zuende; rep: Mazurka u. über die Nebennoten aus dem Cm Präl. May 17, 1913 Elias: Liszt: Canzonetta through to the end; revisited: Mazurka, and about the neighbor-notes in the C minor Prelude. ...
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... . — Schenker’s diary for April 17 has the entry: “Ueber die Nebennoten in Chopins Prälude 2.” (“Concerning the neighbor-notes in Chopin's Prelude No. 2.”). Quart im Motiv als Quint; über I–VI–IV–II V; Modul. durch Umdeutung, hierauf Erhöhung, d–dis–e; Erhöhung ...
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... consequences; about the descending third with three abbreviations; drastic modulation III–I, VI–I; about neighbor-note harmonies, especially those that appear to expresss V–I. ...
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... the Nocturne some points from the middle section; C minor Etude; harmonic aspects of the A major Mazurka by Chopin; especially about neighbor-notes in the form of VII–II in minor; falsification in Chopin. ...
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... in A major; especially the question of the neighbor notes before scale-step VII, and VII before VII and VII before II in minor; the circumventing of parallel fifths by means of interpolated descending steps of a third (Chopin Mazurka in A major) or 6 ...
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... concerning non legato as prerequisite; concerning the accumulation of the voices; regarding the trill on D; on the need to express melodic digressions as such; about modal mixture; about echo effects; normal neighbor-note constructions; return to the norm of ...
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... influenced practice; on the difference of meaning between e.g. d1 as a neighbor note used in the course of the composing out of the triad C G E, and a harmony on D that itself attains to composing out, which, however, is then the second upper fifth i.e. G B D. ...