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... 16/. Weisse: Durchsicht der Clavier u. Liedercopien;Probably copies of compositions by Weisse himself. Weisse came to Schenker intially in 1908 as a pupil in composition and theory, to which piano lessons were added only after 1912. Perhaps Schenker ...
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... . February 6, 1912 Weisse: [Variations from the A major Sonata; the compositional principle of variation. Beethoven‘s way of writing down music demonstrated from the facsimile; figurations in variations 1 and 2; the further principle of the third variation ...
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... waltz” was a composition of Weisse’s own. This sort of information would normally be conveyed via Schenker’s diary; there is no entry there for this day. March 31, 1913 Elias: The appoggiatura as a preliminary study to the main study of thoroughbass; the ...
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... since the previous August for Schenker to take him on for these as well as theory and composition. The move happened on June 3, 1913. May 30, 1913 Weisse: Exercises better; read out aloud about the Bach Prelude in C minor. ...
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... ’s Kontrapunkt . Schenker’s remark implies that König progressed past the first volume into materials of the second volume (subtitled Drei- und Mehrstimmiger Satz; Übergänge zum Freien Satz (Three- and More-voiced Counterpoint; Bridges to Free Composition ...
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... save the king," WoO 78. Beethoven’s original composition was indeed based on the English tune in response to a commission from the folk song collector George Thompson: "Je vous envoie ci joint des Variations sur 2 thêmes anglais, qui sont bien faciles ...
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... On combination-types (i.e., combinations of the five species of strict counterpoint), see Bridges to Free Composition in Schenker, Counterpoint, Book 2.; Chopin: Berceuse; Generalbaß; Bach: Präludium Cmoll Bd. I; Präludium Esm.A brief diary entry from 10 March ...