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... 19. Colbert: Variation 18, 19, u. Mozart: Klavier-Sonate Adur. February 19, 1914 Colbert: Variations 18 and 19, and Mozart: Piano Sonata in A major. ...
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... 9. Colbert: Brahms: Klavier-Violin-Sonate, letzter Satz; repet.: Variationen u. Fuge fortgesetzt. April 9, 1914 Colbert: Brahms: Violin and Piano Sonata, final movement; revisited: Variations and Fugue continued. ...
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... 7. IV. 15 Weisse: Schumann: Klavier-Quartett Esdur; Berlioz: Symphonie phantastique. April 7, 1915 Weisse: Schumann Piano Quartet in E major; Berlioz Symphonie fantastique. ...
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... Pairamall: Kreutzer-Sonate; Mozart: Klavier-Violin-Sonate Bd; Chopin: Polonaise Asd wiederholt. Pairamall: "Kreutzer" Sonata; Mozart: Sonata for Piano and Violin in B major; Chopin: Polonaise in A major revisited. ...
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... Pairamall: wiederholt Chopin Prélude Gdur; Etude Gismoll; Brahms: Klavier-Violin-Sonate Dmoll. Pairamall: Revisited Chopin Prelude in G major; Etude in G minor; Brahms Sonata for Violin and Piano in D minor. ...
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... , 1912 Vrieslander: Continuation of the third species; Funeral Song by Brahms; [concerning Brahms’s piano textures, in which octave technique arises as substitute for the coloration, hence the misunderstanding about Mendelssohnian piano textures.] ...
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... Selig : neu Bach-Busoni Chaconne mit Heranziehung des Originales, Schumanns u. Mendelssohns BearbeitungenBoth Mendelssohn and Schumann and composed some of the first "transcriptions" of the D-minor Chaconne by adding a piano accompaniment to J. S ...
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... 17. II. Pairamall: Fingersatz des Klav. Ritornello.Of the Beethoven, Piano Concerto No. 4 in G major (see entries for February 3 and 14). — This entry is followed by another entry, dated February 18, that is duplicated in Schenker’s diary for ...
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... : Colbert: new: Beethoven: Cello Sonata in D major; Piano Sonata in E minor, Op. 90, first movement; cued from lower margin: Colbert: Chopin Mazurkas in G minor, C major, A major, and B minor; Nocturnes in G major and E major; Beethoven: Violin and Piano ...
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... ; Chopininesque piano writing pointed out in the D major middle section; more on the great D to the opening of the consequent. ...