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... Director of the Neue Schule für Musik und Bühnenkunst, located at Vienna I, Hegelgasse 3. In the 1930s he himself lived at Vienna XVII/2, Eckpergasse 31. In Lehmann’s Vienna Street Directory for 1933 his profession is given as “managing director ...
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... National Library, because he contributed the article "The Value of the Photogram Archive for the Practising Musician" [Der Wert des Photogramm-Archivs für den ausübenden Musiker] to the Schenkerian periodical Der Dreiklang in 1937. ...
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... been a Board member ‒ in relation to the transfer of the Sofie Deutsch Stipends from the Association to the Viennese Akademie für Musik und darstellende Kunst (Academy for Music and Performing Art): UMdK Z 312 D/1924, [1], May 21, 1924 and UMdK Z 641 D ...
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... . M. von Hornbostel and published in 1922‒23 by Drei Masken Verlag in Munich, was one of two DMV music journals on which Schenker's Das Meisterwerk in Musik (1925‒30) was based. Stumpf's Phonogrammarchiv, founded in 1900 in Berlin for ethnographical ...
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... Reznicek (1922), and Schumann's Genoveva (1847) is based in part on Hebbel's tragedy of that name. Eduard Lassen wrote incidental music to Die Nibelungen (1873), excerpts from which were transcribed for piano by Liszt in Aus der Musik zu Hebbels Nibelungen ...
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... the firm's director Emil Hertzka, he directed the company jointly with Hugo Winter and Alfred Kalmus from 1932 until he emigrated to the USA in 1938. With Paul Stefan he edited the first memorial volume on UE's history: 25 Jahre Neue Musik: Jahrbuch ...
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... Tomay ‒ / Wien, I., Fichtegasse 1a Tel. R. 22-419. (Fichtegasse crosses the Ringstraße close to the Stadtpark.) Georg Tomay originated the extensive graphs and examples for Schenker’s essay on Beethoven’s "Eroica" Symphony in Das Meisterwerk in der Musik ...
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... Vienna Conservatory (Akademie für Musik und darstellende Kunst) from 1903 to 1938. He was the Rosé String Quartet's cellist 1905‒21, and had a quartet of his own (with Robert Pollak as first violin). In 1938 the National Socialists removed him from his ...
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... für Musik und darstellende Kunst (= Conservatory). Hofmann and Schenker Schenker evidently had mixed feelings about his playing. After attending a Hofmann recital in 1906, and after describing his technique generally, Schenker commented in his diary ...
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... -1927. He also taught music history and organology at the Vienna Conservatory (= Akademie für Musik und darstellende Kunst) 1894-1924, and was on the administration there. He was a member of the Brahms circle. His name is particularly associated with the ...