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... Rosenthal (whom she had encountered on a train from Brno to Vienna on December 17, 1913), but she continued with Schenker for a further four months. In May 1913 Trude’s father bought her a piano; and after her move to Vienna she bought or hired an upright ...
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... . In the early 1930s, he turned to twelve-tone composition, producing an opera using that technique, Karl V, in 1933. From 1933, Krenek's writings and compositions were banned in Germany by the Nazis. At the annexation of Austria in 1938 he emigrated to ...
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... , Ludwig Bösendorfer and Géza von Zichy-Vásonykeő. Eduard Schütt and the Schenker circle The first known occurrence of Schütt’s name in the Schenker correspondence occurs on August 31, 1897 (Sbb B II 4415, letter to Ferruccio Busoni), when he is coupled ...
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... of J. S. Bach. He published the first volume of his two-volume biography Johann Sebastian Bach in 1873. In 1875 he was appointed professor of music history at the University of Berlin, and in the same year administrative director of the Berlin ...
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... under Robert Lach on the concepts of musical motion in 18th-century theory. Wolf emigrated to the USA in the late 1930s, teaching in Iowa then serving with the US Army in France in World War II. He returned to Austria during the post-war occupation, and ...
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... highly influential in the development of the German car industry, notably Austro-Daimler and BMW. In the early 1920s he was President of the Austrian Depositenbank ‒ which, however, went bankrupt in 1924, after which he set up a private bank in Milan and ...
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... centre of German music publishing. Hellmut von Hase and his brother Martin (1901‒71), with Wilhelm Volkmann (1898‒1939), inherited the firm Breitkopf & Härtel from Oskar in the late 1910s, and led the firm through the interwar years. Hellmut became a ...
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... . The work is one that Schenker had many of his pupils study, and in this analysis a third of the space is devoted to matters of performance; the foregrounding of performance issues is also a feature of Schenker’s next essay on a work for piano, the ...
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... bitte, die Verzögerung zu entschuldigen. Genau im Monath Juni lief die Korrektur einer sehr schwierigen, hier in Wien zu Ausgabe gelangenden neuen Arbeit von mir: Erläuterungen zur „chromatischen Fantasie von S. Bach“ ein, die so schnell es möglich ...
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... article Über die Bedeutung der Ornamente in Philipp Emanuel Bachs Klavierwerken, Zeitschrift für Musikwissenschaft 12/7 (April 1930), 398–418; Eng. transl. by Mark Stevens as The Significance of the Ornaments in Carl Philipp Emanuel Bach’s Keyboard Works ...