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⇧ Spezialanstalt für musikalische
Arbeiten
— Georg Tomay —
Wien, I., Fichtegasse 1a Tel R-22-419
⇧ Herrn Professor D r. Heinr. Schenker
Wien III.
Matritzen Zeichnungen für Lichtpausdruckverfahren von „Analysen von [?Tonurlinien]“
1
| Chopin Etude Op. 10 No
12 |
Hintergrund und Mittelgrund |
|
Sch |
16.– |
|
Vordergrund I |
|
|
22.– |
|
Vordergrund II/III |
|
|
28.– |
|
Vordergund IV |
|
|
22.– |
| J. S. Bach |
Choral „Ich bins, ich sollte büssen“ |
|
|
19.– |
|
Wohtemperiertes Clavier |
|
|
19.– |
| Haydn Sonate Es dur G. A. No
49 |
Durchführung I |
|
|
23.– |
|
Durchführung II |
|
|
20.– |
| Chopin Etude f dur Op. 10. No
8 |
Htg. und Mtg. |
|
|
13.– |
|
Urlinie Tafel I |
|
|
26.– |
|
Urlinie Tafel II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
A cto 5. V. 88.– |
|
|
|
|
17. V. 10.–[
2
|
A. cto ab |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
dankend [?subliert
]
[signed:]
G
Tomay
© Transcription Ian Bent, 2023
|
⇧ Specialist Firm for Musical
Works
— Georg Tomay —
Vienna I, Fichtegasse 1a Tel R-22-419
⇧ Professor Heinrich Schenker
Vienna III
Matrix drawings for the blueprint printing process of „Analyses of Tone [?Urlinien]“
1
| Chopin Etude, Op. 10 No. 12 |
Background and Middleground |
|
Sch |
16.– |
|
Foreground I |
|
|
22.– |
|
Foreground II/III |
|
|
28.– |
|
Foreground IV |
|
|
22.– |
| J. S. Bach |
Choral “’Tis I, I should repent” |
|
|
19.– |
|
Well-tempered Clavier
|
|
|
19.– |
| Haydn Sonata in Eę major, Col. Edn. No.
49 |
Development Section I |
|
|
23.– |
|
Development Section II |
|
|
20.– |
| Chopin Etude in F major, Op. 10. No. 8 |
Background and Middleground |
|
|
13.– |
|
Urlinie Graph I |
|
|
26.– |
|
Urlinie Graph II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
on account May 5
88.– |
|
|
|
|
May 17: 10.–
2
|
on account deduct |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
with thanks, paid
[signed:]
G.
Tomay
© Translation Ian Bent, 2023
|
⇧ Spezialanstalt für musikalische
Arbeiten
— Georg Tomay —
Wien, I., Fichtegasse 1a Tel R-22-419
⇧ Herrn Professor D r. Heinr. Schenker
Wien III.
Matritzen Zeichnungen für Lichtpausdruckverfahren von „Analysen von [?Tonurlinien]“
1
| Chopin Etude Op. 10 No
12 |
Hintergrund und Mittelgrund |
|
Sch |
16.– |
|
Vordergrund I |
|
|
22.– |
|
Vordergrund II/III |
|
|
28.– |
|
Vordergund IV |
|
|
22.– |
| J. S. Bach |
Choral „Ich bins, ich sollte büssen“ |
|
|
19.– |
|
Wohtemperiertes Clavier |
|
|
19.– |
| Haydn Sonate Es dur G. A. No
49 |
Durchführung I |
|
|
23.– |
|
Durchführung II |
|
|
20.– |
| Chopin Etude f dur Op. 10. No
8 |
Htg. und Mtg. |
|
|
13.– |
|
Urlinie Tafel I |
|
|
26.– |
|
Urlinie Tafel II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
A cto 5. V. 88.– |
|
|
|
|
17. V. 10.–[
2
|
A. cto ab |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
dankend [?subliert
]
[signed:]
G
Tomay
© Transcription Ian Bent, 2023
|
⇧ Specialist Firm for Musical
Works
— Georg Tomay —
Vienna I, Fichtegasse 1a Tel R-22-419
⇧ Professor Heinrich Schenker
Vienna III
Matrix drawings for the blueprint printing process of „Analyses of Tone [?Urlinien]“
1
| Chopin Etude, Op. 10 No. 12 |
Background and Middleground |
|
Sch |
16.– |
|
Foreground I |
|
|
22.– |
|
Foreground II/III |
|
|
28.– |
|
Foreground IV |
|
|
22.– |
| J. S. Bach |
Choral “’Tis I, I should repent” |
|
|
19.– |
|
Well-tempered Clavier
|
|
|
19.– |
| Haydn Sonata in Eę major, Col. Edn. No.
49 |
Development Section I |
|
|
23.– |
|
Development Section II |
|
|
20.– |
| Chopin Etude in F major, Op. 10. No. 8 |
Background and Middleground |
|
|
13.– |
|
Urlinie Graph I |
|
|
26.– |
|
Urlinie Graph II |
|
|
21.– |
|
|
|
____ |
____ |
|
|
|
|
229.– |
|
on account May 5
88.– |
|
|
|
|
May 17: 10.–
2
|
on account deduct |
|
98.– |
|
|
|
____ |
____ |
|
|
|
|
131.– |
|
|
|
____ |
____ |
with thanks, paid
[signed:]
G.
Tomay
© Translation Ian Bent, 2023
|
Footnotes
1 The editorial dating of this item is based on the diary entry for May 18 (see
footnote 2 below) supported by the two internal dates of May 5 and 17.
2 Schenker’s diary for May 17, 1932
records: “Tomay sen. bringt op. 10VIII.” (“Tomay
senior brings Op. 10, No. 8.”); that for May 5 does not have a similar entry. —
Schenker’s diary for May 18, 1932 records: “Tomay jun. bringt Korrigiertes, nimmt die letzten
Blätter mit u. bringt alles nach einer Stunde wieder – abgeschlossen! – S. 229”
(“Tomay junior brings corrected pages, takes the remaining pages with him, and
returns with everything an hour later – finished! – 229 shillings.”), which
corresponds with the figure two lines above.
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