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25 [recte 24] . I.
Pairamall :

Klarinetten [blank space] Jahreszeiten (blos Frühling u. Sommer gehört) Schilderung des Sturmes, wie auch alle sonstigen Tonmalereien verblüffend raffirniert selbst vom modernsten Standpunkt aus. Orchesterklang strotzend von Delikatessen. 1

© Transcription Robert Kosovsky, 2007


January 25[recte 24], [1912]
Pairamall :

Clarinets [blank space] The Seasons (only "Spring" and "Summer" heard): portrayal of the storm, just like any other tone-painting, intriguingly refined, even from the most modern standpoint. Orchestral sonority brimming with delicacies. 1

© Translation Ian Bent, 2021


25 [recte 24] . I.
Pairamall :

Klarinetten [blank space] Jahreszeiten (blos Frühling u. Sommer gehört) Schilderung des Sturmes, wie auch alle sonstigen Tonmalereien verblüffend raffirniert selbst vom modernsten Standpunkt aus. Orchesterklang strotzend von Delikatessen. 1

© Transcription Robert Kosovsky, 2007


January 25[recte 24], [1912]
Pairamall :

Clarinets [blank space] The Seasons (only "Spring" and "Summer" heard): portrayal of the storm, just like any other tone-painting, intriguingly refined, even from the most modern standpoint. Orchestral sonority brimming with delicacies. 1

© Translation Ian Bent, 2021

Footnotes

1 This entry is one of a sequence in which Schenker teaches Pairamall the principles of orchestration. —“Jahreszeiten … Delikatessen” appears identically also in Schenker’s diary January 25. The passage is sidelined in the left margin by Heinrich in the lessonbook.