OC 3/3: Oct 1919-Jun 1920 - Angi Elias: lessons: Feb 1920-Jun 1920
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Elias:
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Schubert: Impromptu Asdur u. Bdur mit Variationen, G[es]dur. Bach: Cmoll-Präludium II. Bd; Linie, Harmonien; Schubert: Cismoll 1 ; [Beethoven:] Diabelli-Variationen; Brahms: Intermezzo, Autograph erklärt 2 ; Dwořak: Legenden vierhändig; Bach: zweistimmige Emoll-Fuge; Schumann: Des Abends; Chopin: Polonaise Cismoll, Linie; Schumann: Warum?; Beethoven: Bagatellen Asdur, Bdur, Adur, Cmoll. © Transcription Robert Kosovsky, 2007 |
Elias:
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Schubert: Impromptus in Aę major, Bę major with variations, G[ę] major. Bach: C minor Prelude from Book II; line, harmonies; Schubert: Cě minor 1 ; [Beethoven:] Diabelli Variations; Brahms: Intermezzo, autograph explained 2 ; Dvořák: Legends played four-hands; Bach: two-voiced fugue in E minor; Schumann: "Des Abends"; Chopin: Polonaise in C ě minor, line; Schumann: "Warum?"; Beethoven: Bagatelles in Aę major, Bę major, A major, C minor. © Translation Alan Dodson, 2018 |
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Elias:
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Schubert: Impromptu Asdur u. Bdur mit Variationen, G[es]dur. Bach: Cmoll-Präludium II. Bd; Linie, Harmonien; Schubert: Cismoll 1 ; [Beethoven:] Diabelli-Variationen; Brahms: Intermezzo, Autograph erklärt 2 ; Dwořak: Legenden vierhändig; Bach: zweistimmige Emoll-Fuge; Schumann: Des Abends; Chopin: Polonaise Cismoll, Linie; Schumann: Warum?; Beethoven: Bagatellen Asdur, Bdur, Adur, Cmoll. © Transcription Robert Kosovsky, 2007 |
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Elias:
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Schubert: Impromptus in Aę major, Bę major with variations, G[ę] major. Bach: C minor Prelude from Book II; line, harmonies; Schubert: Cě minor 1 ; [Beethoven:] Diabelli Variations; Brahms: Intermezzo, autograph explained 2 ; Dvořák: Legends played four-hands; Bach: two-voiced fugue in E minor; Schumann: "Des Abends"; Chopin: Polonaise in C ě minor, line; Schumann: "Warum?"; Beethoven: Bagatelles in Aę major, Bę major, A major, C minor. © Translation Alan Dodson, 2018 |
Footnotes1 Possibly the Moment musical in Cě minor, Op. 94, No. 4, a piece that Brünauer had studied in the first semester. 2 Presumably this was from the autograph of Brahms's Three Intermezzi, Op. 117, mentioned in the entry on Schaab's lessons from this semester. According to Schenker's diary, he received photographs of Op. 117 from Hans Weisse on February 24, 1920, the day before he finished dictating an essay on the Intermezzo in Eę major, Op. 117, No. 1. The essay survives as OC 34/83‒105. |
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Format† Double underlined |