Elias:

Diabelli-Variationen fortgesetzt; Beethoven: Bagatellen neu: F-dur, As-dur, A-dur, Bdur, Ddur. Scarlatti: Dm, D-dur. wiederholt Beethoven Bagatelle C-m, op. 101, 1. Satz. Händel-Variationen; Chopin: Preludes [sic] Des-dur, die Wiederholungen auswendig. —

Theorie: zweistim[mige] Fuge nach Nottebohm (Fortsetzung), 1 Bellermann, Marx. Wohltemp. Klavier Bd. I: Dux u. Comes-Studien. Linien-Studien.

Für Frl. Kahn Sonate op. 31 No 3. — Chopin: Etude Fdur aufgeschrieben; Brahms: Walzer No 4 für Frl. Kahn u. Toccata Dmoll. Chopin: Walzer As-dur. Mozart: Sonate C-dur. Verschiedenes: Brahms: I Sinfonie (Furtwängler-{3}Konzert[)]. 2 Schumann: Traumeswirren, Des-dur-Stelle. —

© Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2020

Elias:

Diabelli Variations continued; Beethoven: Bagatelles new: F major, Aę major, A major, Bę major, D major. Scarlatti: D minor, D major. Repeated: Beethoven: Bagatelle in C minor; Op. 101, first movement. [Brahms] Handel Variations; Chopin: Prelude in Dę major, the repetitions from memory. —

Theory: two-voiced fugue according to Nottebohm (continuation), 1 Bellermann, Marx. Well-Tempered Clavier Book I: study of dux and comes. Study of lines.

For Miss Kahn Sonata Op. 31, No. 3. — Chopin: Etude in F major [analysis] written out; Brahms: Waltz No. 4 for Miss Kahn and Toccata in D minor. Chopin: Waltz in Aę major. Mozart: Sonata in C major. Miscellaneous: Brahms: First Symphony (Furtwängler {3} concert). 2 Schumann: "Traumes Wirren," Dę-major section. —

© Translation Alan Dodson, 2020

Elias:

Diabelli-Variationen fortgesetzt; Beethoven: Bagatellen neu: F-dur, As-dur, A-dur, Bdur, Ddur. Scarlatti: Dm, D-dur. wiederholt Beethoven Bagatelle C-m, op. 101, 1. Satz. Händel-Variationen; Chopin: Preludes [sic] Des-dur, die Wiederholungen auswendig. —

Theorie: zweistim[mige] Fuge nach Nottebohm (Fortsetzung), 1 Bellermann, Marx. Wohltemp. Klavier Bd. I: Dux u. Comes-Studien. Linien-Studien.

Für Frl. Kahn Sonate op. 31 No 3. — Chopin: Etude Fdur aufgeschrieben; Brahms: Walzer No 4 für Frl. Kahn u. Toccata Dmoll. Chopin: Walzer As-dur. Mozart: Sonate C-dur. Verschiedenes: Brahms: I Sinfonie (Furtwängler-{3}Konzert[)]. 2 Schumann: Traumeswirren, Des-dur-Stelle. —

© Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2020

Elias:

Diabelli Variations continued; Beethoven: Bagatelles new: F major, Aę major, A major, Bę major, D major. Scarlatti: D minor, D major. Repeated: Beethoven: Bagatelle in C minor; Op. 101, first movement. [Brahms] Handel Variations; Chopin: Prelude in Dę major, the repetitions from memory. —

Theory: two-voiced fugue according to Nottebohm (continuation), 1 Bellermann, Marx. Well-Tempered Clavier Book I: study of dux and comes. Study of lines.

For Miss Kahn Sonata Op. 31, No. 3. — Chopin: Etude in F major [analysis] written out; Brahms: Waltz No. 4 for Miss Kahn and Toccata in D minor. Chopin: Waltz in Aę major. Mozart: Sonata in C major. Miscellaneous: Brahms: First Symphony (Furtwängler {3} concert). 2 Schumann: "Traumes Wirren," Dę-major section. —

© Translation Alan Dodson, 2020

Footnotes

1 Probably a reference to Gustav Nottebohm, Beethovens Studien, vol. I: Beethoven's Unterricht bei J. Haydn, Albrechtsberger und Salieri (Leipzig: Rieter-Biedermann, 1873). The section on two-voiced fugue is on pp. 70‒88. This source is mentioned in the 1919/20 lessonbook in connection with Figdor but not Elias.

2 This may be relevant: Schenker's diary, May 13, 1921: "In the Tonkünstler-Verein I place a reservation for the Furtwängler concerts."