Beethoven: Sonate Bdur op. 22, 1. Satz; Brahms: Cmoll-Quartett; Beethoven: Asdur op. 26; Chopin: mehrere Mazurken; Beethoven: Klavier-Violin-Sonate Gdur, Linie; Mozart: Streichquintett, 1. Satz, Linie; Mozart: Requiem: Konfutatis, Schluss: a‒as‒g; Lacrimosa; Brahms: Quintett Fmoll, 1. Satz; Beethoven: Sonate Edur, 1. Satz; Brahms: Quintett Fmoll, Scherzo u. letzter Satz; Beethoven: Sonate Esdur quasi una Phantasia; Mondscheinsonate. Bach: Fuge Fmoll, II. Bd. ¹

Beethoven: Sonate Esdur, letzter Satz; Brahms: Intermezzo, Autograph ² ; Choral „Gelobet seist du”; Beethoven: Sonate Gdur op. 31, No 1, 1. Satz; Scarlatti, Volksausgabe No 41 Cdur, No 49 Gdur [recte Fdur] ; Barth- {10} Ausgabe No 52 Fmoll, No 54 Amoll ³ ; Brahms: Violinkonzert, Stelle bei F; Scarlatti: No 52, ⁴ 32, Cdur, ⁵ Knotenpunkte, ⁶ auch No 35; Beethoven: Sonate Gdur op. 31, No 1, 2. Satz; Schubert: Walzer, Deutsche Tänze No 1; Beethoven: Sonate op. 14, Durchführung, Linie, letzter Satz; Beethoven: Cmoll: Pathetique; Bach: Präludium Fisdur, I. Bd.; Choral „Ein' feste Burg ist unser Gott” ‒ dazu Wagner u. Choral; Beethoven: Sonate Dmoll, 1. Satz; Bach Choral „Aus trüber [recte tiefer] Not”; Beethoven: Appassionata noch einmal 1. Satz; Beethoven: Sonate Ddur, Scherzo u. letzter Satz; Dwořak: Legenden vierhändig; Beethoven: Klavier-Violin-Sonate, Adagio; Beethoven: Wut über den verlorenen Groschen; Beethoven: Sonate Dmoll, letzter Satz; ⁷

Hugo Wolf: {11} Lieder aus dem italienischen Liederbuch; Beethoven: Sonate Dmoll, letzter Satz, Durchführung, Urlinie nachhause entliehen ⁸ ; Schubert: aus den Deutschen Tänzen Bdur-Walzer; einige [Beethoven] Diabelli-Variationen durchgegangen; Beethoven: Sonate Gdur, op. 31, letzter Satz, Durchgänge; Beethoven: Violin-Konzert, Adagio, Linie; Brahms: Rhapsodie Hmoll, Linie; Brahms: Violinkonzert, Adagio Linie u. Knotenpunkte; Beethoven: Sonate Esdur op. 31, 1. Satz u. Scherzo, Sonate Dmoll, letzter Satz; Diabelli-Variationen, Thema u. 1, 2; Beethoven: Variationen Adur (Waldmädchen) Coda; Beethoven: Sonate Esdur, letzter Satz, Linie; Klavier-Violin-Sonate Fdur, Durchführung; Strauss: Die sieben Siegel; {12} Korngold: Viel Lärm um Nichts. Chopin: Sonate Bmoll, Finale; Chopin: Mazurka Asdur, Peters 37, Durchgänge; Beethoven: Sonate Esdur, Finale, Durchführung; Brahms: Violinkonzert, Schluß des Adagio; Beethoven: Bagatellen op. 126, 2, Linie; op. 119, 6, 11; Beethoven: Sonate Fmoll op. 2.

Beethoven: Sonata in Bę major Op. 22, first movement; Brahms: Quartet in C minor; Beethoven Aę major Op. 26; Chopin: several Mazurkas; Beethoven: Sonata for Violin and Piano in G major, line; Mozart: String Quintet, first movement, line; Mozart: Requiem : "Confutatis," ending: A‒Aę‒G; "Lacrimosa"; Brahms: Quintet in F minor, first movement; Beethoven: Sonata in E major, first movement; Brahms: Quintet in F minor, Scherzo and last movement; Beethoven: Sonata Quasi una Fantasia in Eę major; "Moonlight" Sonata. Bach: Fugue in F minor, Book II. ¹

Beethoven: Sonata in Eę major, last movement; Brahms: Intermezzo, autograph ² ; chorale "Gelobet seist du" ; Beethoven: Sonata in G major, Op. 31, No. 1, first movement; Scarlatti, Volksausgabe No. 41 C major, No. 49 G major [recte F major] ; Barth {10} edition No. 52 F minor, No. 54 A minor ³ ; Brahms: Violin Concerto, rehearsal F; Scarlatti: No. 52, ⁴ 32, C major, ⁵ nodal points, ⁶ also No. 35; Beethoven: Sonata in G major Op. 31, No. 1, second movement; Schubert: Waltzes, German Dances No. 1; Beethoven: Sonata Op. 14, development section, line, last movement; Beethoven: C minor: "Pathétique"; Bach: Prelude in Fě major, Book I; chorale "Ein' feste Burg ist unser Gott" ‒ along with Wagner and the chorale; Beethoven: Sonata in D minor, first movement; Bach chorale "Aus trüber [recte tiefer] Not"; Beethoven: "Appassionata" once again the first movement; Beethoven: Sonata in D major, Scherzo and last movement; Dvořák: Legends played four-hands; Beethoven: Sonata for Piano and Violin, Adagio; Beethoven: Rage over a Lost Penny; Beethoven: Sonata in D minor, last movement; ⁷

Hugo Wolf: {12} Songs from the Italian Songbook ; Beethoven: Sonata in D minor, last movement, development section, borrowed the Urlinie graph to take home ⁸ ; Schubert: Waltz[es] in Bę major from the German Dances ; went through some of the [Beethoven] Diabelli Variations ; Beethoven: Sonata in G major, Op. 31, last movement, passing tones; Beethoven: Violin Concerto, Adagio, line; Brahms: Rhapsody in B minor, line; Brahms: Violin Concerto, Adagio, line and nodal points; Beethoven: Sonata in Eę major, Op. 31, first movement and Scherzo, Sonata in D minor, last movement; Diabelli Variations , theme and variations 1 and 2; Beethoven: Variations in A major ("Waldmädchen"), coda; Beethoven: Sonata in Eę major, last movement, line; Sonata for Violin and Piano in F major, development section: Strauss: "Die sieben Siegel"; {12} Korngold: Viel Lärm um Nichts . Chopin: Sonata in Bę minor, finale; Chopin: Mazurka in Aę major, Peters 37, passing tones; Beethoven: Sonata in Eę major, finale, development section; Brahms: Violin Concerto, ending of the Adagio; Beethoven: Bagatelles Op. 126, No. 2, line; Op. 119, Nos. 6 and 11; Beethoven: Sonata in F minor, Op. 2.

Beethoven: Sonate Bdur op. 22, 1. Satz; Brahms: Cmoll-Quartett; Beethoven: Asdur op. 26; Chopin: mehrere Mazurken; Beethoven: Klavier-Violin-Sonate Gdur, Linie; Mozart: Streichquintett, 1. Satz, Linie; Mozart: Requiem: Konfutatis, Schluss: a‒as‒g; Lacrimosa; Brahms: Quintett Fmoll, 1. Satz; Beethoven: Sonate Edur, 1. Satz; Brahms: Quintett Fmoll, Scherzo u. letzter Satz; Beethoven: Sonate Esdur quasi una Phantasia; Mondscheinsonate. Bach: Fuge Fmoll, II. Bd. ¹

Beethoven: Sonate Esdur, letzter Satz; Brahms: Intermezzo, Autograph ² ; Choral „Gelobet seist du”; Beethoven: Sonate Gdur op. 31, No 1, 1. Satz; Scarlatti, Volksausgabe No 41 Cdur, No 49 Gdur [recte Fdur] ; Barth- {10} Ausgabe No 52 Fmoll, No 54 Amoll ³ ; Brahms: Violinkonzert, Stelle bei F; Scarlatti: No 52, ⁴ 32, Cdur, ⁵ Knotenpunkte, ⁶ auch No 35; Beethoven: Sonate Gdur op. 31, No 1, 2. Satz; Schubert: Walzer, Deutsche Tänze No 1; Beethoven: Sonate op. 14, Durchführung, Linie, letzter Satz; Beethoven: Cmoll: Pathetique; Bach: Präludium Fisdur, I. Bd.; Choral „Ein' feste Burg ist unser Gott” ‒ dazu Wagner u. Choral; Beethoven: Sonate Dmoll, 1. Satz; Bach Choral „Aus trüber [recte tiefer] Not”; Beethoven: Appassionata noch einmal 1. Satz; Beethoven: Sonate Ddur, Scherzo u. letzter Satz; Dwořak: Legenden vierhändig; Beethoven: Klavier-Violin-Sonate, Adagio; Beethoven: Wut über den verlorenen Groschen; Beethoven: Sonate Dmoll, letzter Satz; ⁷

Hugo Wolf: {11} Lieder aus dem italienischen Liederbuch; Beethoven: Sonate Dmoll, letzter Satz, Durchführung, Urlinie nachhause entliehen ⁸ ; Schubert: aus den Deutschen Tänzen Bdur-Walzer; einige [Beethoven] Diabelli-Variationen durchgegangen; Beethoven: Sonate Gdur, op. 31, letzter Satz, Durchgänge; Beethoven: Violin-Konzert, Adagio, Linie; Brahms: Rhapsodie Hmoll, Linie; Brahms: Violinkonzert, Adagio Linie u. Knotenpunkte; Beethoven: Sonate Esdur op. 31, 1. Satz u. Scherzo, Sonate Dmoll, letzter Satz; Diabelli-Variationen, Thema u. 1, 2; Beethoven: Variationen Adur (Waldmädchen) Coda; Beethoven: Sonate Esdur, letzter Satz, Linie; Klavier-Violin-Sonate Fdur, Durchführung; Strauss: Die sieben Siegel; {12} Korngold: Viel Lärm um Nichts. Chopin: Sonate Bmoll, Finale; Chopin: Mazurka Asdur, Peters 37, Durchgänge; Beethoven: Sonate Esdur, Finale, Durchführung; Brahms: Violinkonzert, Schluß des Adagio; Beethoven: Bagatellen op. 126, 2, Linie; op. 119, 6, 11; Beethoven: Sonate Fmoll op. 2.

Beethoven: Sonata in Bę major Op. 22, first movement; Brahms: Quartet in C minor; Beethoven Aę major Op. 26; Chopin: several Mazurkas; Beethoven: Sonata for Violin and Piano in G major, line; Mozart: String Quintet, first movement, line; Mozart: Requiem : "Confutatis," ending: A‒Aę‒G; "Lacrimosa"; Brahms: Quintet in F minor, first movement; Beethoven: Sonata in E major, first movement; Brahms: Quintet in F minor, Scherzo and last movement; Beethoven: Sonata Quasi una Fantasia in Eę major; "Moonlight" Sonata. Bach: Fugue in F minor, Book II. ¹

Beethoven: Sonata in Eę major, last movement; Brahms: Intermezzo, autograph ² ; chorale "Gelobet seist du" ; Beethoven: Sonata in G major, Op. 31, No. 1, first movement; Scarlatti, Volksausgabe No. 41 C major, No. 49 G major [recte F major] ; Barth {10} edition No. 52 F minor, No. 54 A minor ³ ; Brahms: Violin Concerto, rehearsal F; Scarlatti: No. 52, ⁴ 32, C major, ⁵ nodal points, ⁶ also No. 35; Beethoven: Sonata in G major Op. 31, No. 1, second movement; Schubert: Waltzes, German Dances No. 1; Beethoven: Sonata Op. 14, development section, line, last movement; Beethoven: C minor: "Pathétique"; Bach: Prelude in Fě major, Book I; chorale "Ein' feste Burg ist unser Gott" ‒ along with Wagner and the chorale; Beethoven: Sonata in D minor, first movement; Bach chorale "Aus trüber [recte tiefer] Not"; Beethoven: "Appassionata" once again the first movement; Beethoven: Sonata in D major, Scherzo and last movement; Dvořák: Legends played four-hands; Beethoven: Sonata for Piano and Violin, Adagio; Beethoven: Rage over a Lost Penny; Beethoven: Sonata in D minor, last movement; ⁷

Hugo Wolf: {12} Songs from the Italian Songbook ; Beethoven: Sonata in D minor, last movement, development section, borrowed the Urlinie graph to take home ⁸ ; Schubert: Waltz[es] in Bę major from the German Dances ; went through some of the [Beethoven] Diabelli Variations ; Beethoven: Sonata in G major, Op. 31, last movement, passing tones; Beethoven: Violin Concerto, Adagio, line; Brahms: Rhapsody in B minor, line; Brahms: Violin Concerto, Adagio, line and nodal points; Beethoven: Sonata in Eę major, Op. 31, first movement and Scherzo, Sonata in D minor, last movement; Diabelli Variations , theme and variations 1 and 2; Beethoven: Variations in A major ("Waldmädchen"), coda; Beethoven: Sonata in Eę major, last movement, line; Sonata for Violin and Piano in F major, development section: Strauss: "Die sieben Siegel"; {12} Korngold: Viel Lärm um Nichts . Chopin: Sonata in Bę minor, finale; Chopin: Mazurka in Aę major, Peters 37, passing tones; Beethoven: Sonata in Eę major, finale, development section; Brahms: Violin Concerto, ending of the Adagio; Beethoven: Bagatelles Op. 126, No. 2, line; Op. 119, Nos. 6 and 11; Beethoven: Sonata in F minor, Op. 2.