OC 3/3: 1921/22 - Angi Elias: lessons: 1921/22
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Elias:
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1
Beethoven: op. 81, a. Bach: Italienisches Konzert. Chopin: Polonaise Bdur. Händel: Chaconne Gdur. Chopin: Berceuse, Walzer Asdur wiederholt. Theoretisches: Transposition von Bachs Konzert Edur in Form Klavierkonzert Ddur. 2 – Mozart: Sonate Cdur, Urlinie. 3 Brahms-Haydn-Variationen. Bemerkungen zum Furtwängler-Konzert u. {3} sonst Fragen aus Stunden anderer Schüler. © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2022 |
Elias:
†
1
Beethoven: Op. 81a. Bach: Italian Concerto . Chopin: Polonaise in Bę major. Handel: Chaconne in G major. Chopin: Berceuse , Waltz in Aę major revisited. Theoretical work: transposition of Bach's Concerto in E major in the form of a keyboard concerto in D major. 2 – Mozart: Sonata in C major, Urlinie. 3 Brahms, Haydn Variations. Remarks on the Furtwängler concert and {3} otherwise questions from other students' lessons. © Translation Alan Dodson, 2022 |
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Elias:
†
1
Beethoven: op. 81, a. Bach: Italienisches Konzert. Chopin: Polonaise Bdur. Händel: Chaconne Gdur. Chopin: Berceuse, Walzer Asdur wiederholt. Theoretisches: Transposition von Bachs Konzert Edur in Form Klavierkonzert Ddur. 2 – Mozart: Sonate Cdur, Urlinie. 3 Brahms-Haydn-Variationen. Bemerkungen zum Furtwängler-Konzert u. {3} sonst Fragen aus Stunden anderer Schüler. © Transcription Robert Kosovsky, ed. Alan Dodson, 2007, 2022 |
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Elias:
†
1
Beethoven: Op. 81a. Bach: Italian Concerto . Chopin: Polonaise in Bę major. Handel: Chaconne in G major. Chopin: Berceuse , Waltz in Aę major revisited. Theoretical work: transposition of Bach's Concerto in E major in the form of a keyboard concerto in D major. 2 – Mozart: Sonata in C major, Urlinie. 3 Brahms, Haydn Variations. Remarks on the Furtwängler concert and {3} otherwise questions from other students' lessons. © Translation Alan Dodson, 2022 |
Footnotes1 Miss Elias presumably took her customary three lessons a week throughout the 1921/22 saison. She underwent surgery over several weeks in November–December. Schenker increased her fee to 10,000 Kr. a lesson in January, but by April she was voluntarily paying 20,000 Kr. a lesson. Writing in June 1921, Schenker wrote of his planned fee increases, commenting: “Miss Elias, as usual, paid for the whole year in advance, which brought in the princely sum of 62,000 Kronen” (OJ 6/7, [1]). 2 This may have been a comparison of J.S. Bach’s Harpsichord Concerto in D major, BWV 1054, and the earlier Violin Concerto in E major, BWV 1042, upon which it was based. 3 This may have been an early version of the Urlinie graph in "Mozart: Sonate C-Dur (Köch. V. Nr. 545, U. E. Nr. 11)," in: Der Tonwille, Heft 4 (1923), p. 19; Eng. transl., I, pp. 156–57. Work on that graph is first mentioned in Schenker’s diary on July 23, 1922, during the summer after the 1921/22 saison (“Work on Mozart sonata for the fourth issue.”). — This is only the fourth occurrence of the term Urlinie in the lessonbook, the first two being in 1919/20 (Figdor: “Urlinienskizze” and Weisse: “Urlinie”) and the third in the current saison (Brünauer). |
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Format† Double underlined |