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CA 102 Handwritten letter from Schenker to Cotta, dated June 3, 1909
Schenker has sent final proofs of gatherings 10 and 12, but has mislaid those
for 11 and asks for another copy.
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OC 52/422 Typewritten letter from Hertzka (UE) to Schenker, dated June 24, 1909
Hertzka confirms the agreed edition of the Chromatic Fantasy & Fugue, and
will send the required editions.
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OJ 6/4, [46] Handwritten letter from Schenker to Moriz Violin, dated June 22, 1909
Schenker reports a successful deal with Hertzka at Universal Edition, and refers
to monetary matters between them.
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OJ 7/4, [51] Handwritten postcard from Schenker to Moriz Violin, dated June 10, 1909
Schenker must miss seeing an Ibsen play, because the latest batch of proofs of
Kontrapunkt I have to be finished.
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OJ 7/4, [52] Handwritten postcard from Schenker to Moriz Violin, dated June 10, 1909
Schenker is in Steinach, awaiting Moriz Violin's arrival.
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OJ 9/31, [23] Stenographically handwritten letter from Cotta to Schenker, dated June 1,
1909
Cotta accedes to splitting Kontrapunkt into two half-volumes, and proposes a
publication schedule for the first half-volume.
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WSLB 39 Handwritten letter from Schenker to Hertzka (UE), June 23, 1909
Schenker asks Hertzka to send him two editions of the Bach Chromatic Fantasy
& Fugue that are unknown to him.
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WSLB 40 Handwritten postcard from Schenker to Hertzka (UE), dated June 26, 1909
Schenker asks for the Röntgen edition of the Chromatic Fantasy & Fugue to
be sent to him.