CA 110 Handwritten postcard from Schenker to Cotta, dated February 6, 1910

Schenker asks for proof-ties.

OC 52/424 Typewritten letter from Hertzka (UE) to Schenker, dated February 7, 1910

While informing Schenker that his edition of the Chromatic Fantasy & Fugue has not yet gone to the printers/engravers, Hertzka rebuts Schenker's allegation that he has shown the edition to Godowsky, Robert and others. He raises the possibility of Schenker's editing other works by J. S. Bach.

OC 52/45 Typewritten letter from Hertzka (UE) to Schenker, dated February 11, 1910

Refuting Schenker's accusations, particularly that UE emphasizes "anti-musical music," Hertzka says he will print the proposed Bach works as Schenker suggests, and informs him that the Chromatic Fantasy & Fugue edition will go to press in early March.

WSLB 51 Handwritten letter from Schenker to Hertzka (UE), dated February 6, 1910

Schenker complains that others have been allowed to see his Chromatic Fantasy & Fugue, whereas he has not yet received proofs.

WSLB 52 Handwritten letter from Schenker to Hertzka (UE), dated February 7, 1910

Schenker's Chromatic Fantasy edition is an exception: other Bach works can be published with less editorial detail. — He accuses Universal Edition of favoring "anti-musical music." — With heavy irony, he suggests handing other Bach editing work to others so as to promote UE's commercial interests.

WSLB 53 Handwritten letter from Schenker to Hertzka (UE), dated February 15, 1910

Schenker advocates Moriz Violin's pamphlet "Über das sogenannte 'Continuo'" for publication and explains its connection with a planned "historical concert."