OJ 10/1, [74] Handwritten letter from Dahms to Schenker, dated February 9, 1923

Dahms reports change of address and explains circumstances; has sent a prospectus to UE; progress on subscriptions to his de luxe edition and a new American contact; synopsis of his planned Bel Canto book. — He praises the "Miscellanea" in Tonwille 3, and comments on Schenker's understanding of democracy.

GdM Akten 34 ex1932/33, [1] Typewritten letter, carbon copy, from Friedrich Dlabač (Gesellschaft der Musikfreunde) to Schenker, dated November 3, 1932

The Gesellschaft der Musikfreunde grants permission for Schenker to publish Brahms' "Octaven und Quinten."

OC 18/36 Typewritten letter from Arthur Waldeck to Schenker, dated June 3, 1934

After the failure of his initiative to fund a translation of Harmonielehre, Waldeck tells Schenker of his plan to coauthor with Nathan Broder an article introducing Schenker's theory [to English-speaking readers].

OJ 70/35, [8] Typewritten letter from Schoenberg to Moriz Violin, dated April 1, 1949

Schoenberg regrets that he is unable to visit San Francisco on account of ill-health. He suggests Violin write an article on Schenker's theories for the Musical Quarterly. He hopes to send Violin his forthcoming book "Style & Idea."

LC ASC 27/45, [33] Handwritten letter from Moriz Violin to Schoenberg, undated [ late October?, 1949]

Violin writes of his longing for face-to-face communication with Schoenberg.

Diary entry by Schenker for 15 February 1916