... abzuleiten wäre?" ("From Steglich (letter): against the polemic; asks whether the Arietta is not in part derived from the last bars of the first movement?"). dem Studium Ihres Beethoven op. 111 muß ich Ihnen nochmals für die Übersendung des Werkes danken. Ich ...

... will arrange for the two movements of Op. 110 in my possession to be photographed in the requisite fashion by a photographer I know here. In returning the two enclosures you sent I offer my compliments with kindest regards! L. Koch ...

... worth the effort. For it turned out that Furtwängler does not know actually know what a "sonata form movement" is. Specifically, he includes adagio movements in sonatas and symphonies! But the special form of a sonata movement has been unknown to him ...

... | BESTELLT || in unknown hand:5/2 Schnbrst bestellt 126illeg. indecipherable signature Floriz, Finished! Have it copied by Donath; the last movement in particular was very sloppily copied the first time around. All missing measures have been inserted, etc. I ...

... . Furtwängler was at our place; to my horror, he does not know what a sonata-form movement is!!! Weisse was present. As soon as the time is up (as indicated in my last letter) you will receive a proper report. The bronze medallion by Alfred Rothberger arrived ...

... sacred act, in which I feel myself obliged anew to decide how the well-known octave-motif of the second movement should be performed — whether, to put it briefly, it should be staccato or non-staccato, i.e. whether this way: or this: .Beethoven added no ...

... purely for the sake of a degree purpose which is to some extent external, rather than receiving this from an innermost spiritual source. Now a question regarding performance: the second subject of the first movement of the Eighth Symphony seems at first ...

... , I see advantages to both. 1) With regard to form, when the arrangement of the familiar succession in a sonata-form movement has a clear logic, it can only be this: to orient us to the entry of new themes, to the location of developed themes, to ...

... across the bar-line: both were impossible, not permitted.) To waste a word on this is actually a scandal. Since music began to breathe, its voices have known such an independence of movement – counterpoint shows and teaches this, too – but of course when ...

... meetings (for purposes of revision); I then dropped the matter, because I found myself deplorably hoodwinked by the publisher; but the result of the first meetings, covering about up to the Reprise in the first movement, was already used for the new edition ...