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Searched for section in Diaries (350 results found)

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  • Diary entry for 1924-09-27

    ... ; the first movement still shows the most flaws, the Scherzo in the first section is too fast, then better. In the Trio, still a slight tendency to drag, the Adagio is superb, including the long bowings by the violins. The last movement is very good ...

  • Diary entry for 1926-01-06

    ... slow; also, for sake of a cheap effect, the first slur in the first violins was changed to non legato! The modulation section in the first movement and also the second subject clearly present problems, for both the conductor and the orchestra. The ...

  • Diary entry for 1926-03-27

    ... with it, packed up and sent off after lunch= OC 54/73. Lie-Liechen writes out the fair copy of the section on performance for the first movement of Mozart and "Further Considerations of the Urlinie," first part. Radio: St. Matthew Passion (Klenau ...

  • Diary entry for 1928-09-18

    ... ): possibly from 11 to 12 o'clock. To Oppel (postcard): Weißgärber's address. To Oppel (registered mail): Schmidtbonn returned. To Weißgärber (letter): recommendation of Oppel's new quartet. Work on the development section of the "Eroica". After lunch, to the ...

  • Diary entry for 1930-11-22

    ... , ohne mich mit dem Inhalt seines Vortrags bekanntzumachen, zudem eine Empfehlung an Furtwängler? 22, fair weather, 15°. Work on the opening sections of Prolongation , continuation. From Berrsche (letter): concerning the newspaper polemic; he asks my ...

  • Diary entry for 1931-02-21

    ... take that path. From Mrs. Dunn (letterOJ 10/12, [1]): her husband was knocked down by an automobile and is dead! Without doubt, I have lost a loyal comrade, whom I could still hope to count upon. The section on Reaching Over in Free Composition ...

  • Diary entry for 1931-02-24

    ... Over in Free Composition; the section on Motion from an Inner Voice elaborated. At 4:45, Lie-Liechen turns on the radio equipment and we listen to a record of Chaliapin singing the "Calumny Aria" from The Barber of Seville – perhaps the most ...

  • Diary entry for 1931-08-21

    ... first part the section on "transference" for Free Composition. zur „Uebertragung “ in Der freie Satz. Zwischen 10 u. ¾11h Gespräch mit Türtscher: er hat die Engländer aus dem Hause gewiesen, nicht nur wegen der Beschwerden aller Gäste, sondern weil er ...

  • Diary entry for 1906-08-15

    ... other. √ Rehearsal: Mottl conducts the D major Symphony with introduction (relentlessly philistine). The bustle in the development section of the symphony almost overpowering! Value of contrapuntal technique (cf. by contrast Berlioz. Symphonie ...

  • Diary entry for 1908-04-04

    ... , availed himself of three-part (song)form, or four-part form; but without any of this, without clear form, a musical composition can surely never be enjoyed. In Ferrari's work the violin sections are poorly set against one other; what a poor effect ...

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