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Searched for voice in Diaries (240 results found)

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  • Diary entry for 1920-12-06

    ... like to compose for four solo voices with piano accompaniment. The remainder of "Moonlight" Sonata dictated. Heini brings Beuschel with dumplings. ...

  • Diary entry for 1932-03-06

    ... Hugo Wiener, for voice and piano (Vienna: Capriccio-Verlag, 1932). – wir bleiben zuhause. Patiençen. March 6, 1932, Sunday, cloudy, +2°. The assemblage of pages for Free Composition continued. To Prof. Pollak (letter): about the two manuscripts, and the ...

  • Diary entry for 1932-11-27

    ... continue "Motion from an Inner Voice." To Deutsch (letter): I report about the fund – now, more than ever, the question as to whether I may be permitted to use Hoboken’s money for it? After teatime: Ringstraße. ...

  • Diary entry for 1920-03-02

    ... voice, Op. 94, No. 4. u. „Nachtwandler“ Brahms, "Nachtwandler," from Six Songs for low voice, Op. 86, No. 3 (text: Max Kalbeck). empfohlen. Lie-Liechen macht erste Wege zur Erlangung der Pässe. An Koch (Br.): urgire die Bilder, erbitte Adresse des ...

  • Diary entry for 1932-08-27

    ... ! Awake throughout the night! Lie-Liechen delivers "Reaching Over" for Free Composition. To Spanner (letter): I confirm the receipt of 240.74 shillings. "Motion from an Inner Voice" completed. To Drei Masken Verlag (postcard): second reminder of the ...

  • Diary entry for 1932-08-31

    ... breakfast in our room. Preliminary work: "Substitution", "Voice Exchange" for Free Composition. Lie-Liechen does the errands alone. From Jonas (postcardOJ 12/6, [14]): he is leaving for Berlin today. Dictation of "Substitution" and "Voice Exchange" after ...

  • Diary entry for 1917-08-29

    ... , combine voice leading with eating; but then the latter two gentlemen suddenly take their leave of Bach and me, and I reproach them by saying that they would never learn the theory of voice leading if they did not eat with us. In the dream I even pursue the ...

  • Diary entry for 1896-12-07

    ... . Sembrich totally lacks the artistic-ethical justification for coloratura. Were this once artistically true in the long distant past, surely some vestige of this truth would still show through in her voice at the present time. See, for instance, Patti, d’Andrade. ...

  • Diary entry for 1907-12-01

    ... the poor treatment of the woodwinds, which played with the violins, etc., in unison or in octaves where, in conformity with better technique, they ought to have provided continuo voices. ...

  • Diary entry for 1911-11-09

    ... of higher status. The fourth species of three-voice counterpoint embarked upon. — ...

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