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... 3. V. Hupka: Prälude 5 u. 6 analysirt; Scheintonarten durch Stimmführung entstanden. May 3, 1913 Hupka: Preludes No. 5 and No. 6 analysed; illusory keys arising from voice-leading. ...
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... 27. Brünauer: Präludium Bm Bach, bis zur Fm Cadenz, besonders Stimmführung T. 7–8. February 27, 1914 Brünauer: Prelude in B minor by Bach, as far as the F minor cadence, especially voice-leading in mm. 7–8. ...
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... between scale-degrees and voice-leading.] Scale-degrees in development; continuation of the throughbass examples from Albinoni and J. S. Bach; distinction between thoroughbass and continuo. ...
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... precision as to construction, harmony, and fingering. [The distinction of the voice-leading in the bass at F major, G minor, and A minor (Galston’s misunderstanding).] HSch+ ...
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... conjunction with exercises, on the freedoms of voice-leading already reflected in this chapter. H.S.+ ...
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... is a set of variations; “noch einmal” implies previous study, despite no reference in previous lesson notes. Fantasie Fortsetz. May 27, 1913 Brünauer: From the little A major Sonata, the second variation once again, on account of its voice-leading ...
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... Instrumentalen kehrt dieselbe Erscheinung in den ganz kleinen Formen wieder; vgl. z.B. Brahms Walzer Gismoll u. manche Schubert’sche.] January 18, 1912 Vrieslander: Start of three-voice counterpoint; once again scale-degrees, voice-leading. Orchestral sketch for ...
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... examples of voice-leading in Mozart’s Andante con variationi; particularly the six-chord passages in expanded register, bars 6–7; further concerning a sustained tone woven into a passing six-chord succession. Mozart’s favorite technique: see D minor ...
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... “die Gründe” probably overwritten upon singular “der Grund.” derselben. February 9, 1912 Weisse: in left margin: II/2 freier Satzend marginalia [voice-leading in the second variation. Distinction between obligatory and continuo voices; the minutiae in the ...
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... 20), with one indeterminate, so it is impossible to build a complete picture of her lesson schedule. October 8, 1914 Elias: First chorale from the St. Matthew Passion in different versions with elucidations of voice-leading. Brahms Intermezzo Op. 119 ...