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... 22. III. Hupka: Harmonien der Mazurka A moll. March 22, 1913 Hupka: The harmonies of the Mazurka in A minor. ...
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... 27. X. Weisse: Brahms Walzer Hm, T. 9, Wechselnoten-Harmonie;A detailed discussion of the harmonic structure of the E major Waltz occurs in the undated letter from Weisse to Schenker OJ 15/15, [K], p. 3. The inclusion of Brahms’s Horn Trio in the ...
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... 18. Newlov: Chopin Amoll Etude, besonders Mittelstück in Konstruktion, Harmonie u. Fingersatz aufs Genaueste erklärt. [Die Verschiedenheit der Stimmführung des Basses bei“vor” overwritten as “bei”? Heinrich has inserted an exclamation mark beside ...
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... Wiederholung von Takten im Laufe eines Gedankenbaues. October 15, 1912 Weisse: Some questions arising from my Theory of Harmony, thus: the seventh and the 7th overtone; antecedent and consequent; the example of Chopin in my Theory of Harmony from the F major ...
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... Harmonie; Brahms an Richard Strauß. October 22, 1912 Weisse: Suggestions regarding the second theme of the first movement; admission by the composer that he had worked feverishly on it. On ways of shaping the content organically, demonstrated on the basis ...
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... 5. Okt. Hupka: Harmonielehre; über die Molltonart; Begründung der Molldomin. mit der Notwendigkeit tematisch-motivischer Transposit. October 5, 1912 Hupka: Theory of Harmony; the minor key; rationale for the minor dominant with the necessity for ...
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... 14. I. Stirling: besonders Am Etüde in a3; die große II. Stufe: Harmonien im Durchgang; Cm Etüde, l. H. allein. January 14, 1913 Stirling: Particularly the A minor Etude in a3; the step of the major 2nd: harmonies in the transition; C minor Etude ...
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... : inverted “V” harmonies. ...
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... harmonies at the close; elucidation of Etude 3 and fingering. ...
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... - noten-Harmonien, bes. die, die V–I auszudrücken scheinen. March 8, 1913 Hupka: Harmonies of the Mozart Fantasy; as far as the first Allegro; especially concerning the 6/4-chord with descending fifth; tonicization in steps of a second and ellipse of the ...