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22. X.
Weisse :

Vorschläge betreffs des 2. Ged. im 1. Satz; Eingeständnis des Autors, daß er feuchtig gearbeitet hat. Ueber [sic] Mittel, den Inhalt organisch zu gestalten; aufgezeigt inbesondere an Schuberts Quartett: wo Motivfüllung möglich wäre, leere Harmonie; Brahms an Richard Strauß.

© Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23


October 22, [1912]
Weisse :

Suggestions regarding the second theme of the first movement; admission by the composer that he had worked feverishly on it. On ways of shaping the content organically, demonstrated on the basis of Schubert’s quartet: where motivic trifling might be possible, empty harmony; Brahms to Richard Strauss.

© Translation Ian Bent, 2022-23


22. X.
Weisse :

Vorschläge betreffs des 2. Ged. im 1. Satz; Eingeständnis des Autors, daß er feuchtig gearbeitet hat. Ueber [sic] Mittel, den Inhalt organisch zu gestalten; aufgezeigt inbesondere an Schuberts Quartett: wo Motivfüllung möglich wäre, leere Harmonie; Brahms an Richard Strauß.

© Transcription Robert Kosovsky, ed. Ian Bent, 2007, 2022-23


October 22, [1912]
Weisse :

Suggestions regarding the second theme of the first movement; admission by the composer that he had worked feverishly on it. On ways of shaping the content organically, demonstrated on the basis of Schubert’s quartet: where motivic trifling might be possible, empty harmony; Brahms to Richard Strauss.

© Translation Ian Bent, 2022-23