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... 20. XI. Kaff: Das Mittelstück der Am Etüde; Gesd Etüde auf schwarzen Tasten. November 20, 1912 Kaff: The middle section of the A minor Etude; G major Etude “on the black keys”. ...
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... 3. V. Hupka: Prälude 5 u. 6 analysirt; Scheintonarten durch Stimmführung entstanden. May 3, 1913 Hupka: Preludes No. 5 and No. 6 analysed; illusory keys arising from voice-leading. ...
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... 16/. Brünauer: Ringt mit dem Problem die Taste fest zu attackiren; Brahms Bdur Concert bis zur Durchführung. January 16, 1912 Brünauer: Wrestles with the problem of attacking the keys firmly. Brahms B major Concerto as far as the development section. ...
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... 5. Okt. Hupka: Harmonielehre; über die Molltonart; Begründung der Molldomin. mit der Notwendigkeit tematisch-motivischer Transposit. October 5, 1912 Hupka: Theory of Harmony; the minor key; rationale for the minor dominant with the necessity for ...
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... 14. Kahn: rep. Brahms-Paganini-Variationen u. Chopin Stücke: Berceuse, Nocturne,No key supplied: on the basis of her lesson of December 20, 1913, and lessons of Miss Kaff in October and November, this may be Op. 15, No. 2. Walzer. February 14, 1914 ...
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... warme Applaus kam eben nach dem Alegretto! Andante fiel ab. February 3, 1912 Elias: [Movements 2 and 3 of the Brahms Sonata. Construction of the third movement similar to that of the Allegretto of the “Moonlight” Sonata, in which only after the key of ...
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... Pianoforte. Cf. Hupka’s lesson notes for December 4. November 11 14 , 1912 Newlov: Etudes: Chopin–Brahms F minor; Chopin original, revisited. Brahms Studies with a key held down. ...
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... ) that of the key areas; and about the particular logic prevailing over each individual sphere, and ultimately the combination of all these operations in the service of a musical idea. ...
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... does not last for two bars, and also does not involve a syncopation, reduces it to a mere scale-degree rather than, as Busoni and others infer, a key. The line thus descends to E1 and to scale-degree I of the key that lasts two bars and has a one ...
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... –30. January 16, 1913 Deutsch: Advanced octave studies; legato by way of attack; in the right hand, sink the 5th finger keeping the thumb loose, and the thumb should release the key as late as possible in order to reach the next key: likewise in the left hand ...