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... 24. Weisse: Händel-Variation bis Orgelpunkt.Variations 21, 22, and 23 form a group characterized by the use of organ-points. Var. 22 has a stationary B organ-point throughout, and Schenker characterizes it as a “musette” (cf. Weisse’s lesson note ...
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... 25. Stirling: Barcarole Am, 2. Ged.; repet.: Gm u. Chopin Asd Walzer; Daquin.Presumably Louis-Claude Daquin (1694–1772), French composer of suites for harpsichord and settings of carols for organ. April 25, 1913 Stirling: Barcarolle in A minor ...
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... ; once again on open fifth successions according to Counterpoint 1; on the lack of any organic causality whatsoever in the fifth. ...
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... 17. Brünauer: Cism Fuge, 5 Einsätze; Bm rep.; über die Stelle vor dem Orgelpunkt der Dominante. March 17, 1914 Brünauer: C minor Fugue, five entrances; B minor revisited; on the passage before the organ point of the dominant. ...
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... 23. Stirling: Rhapsodie Coda; Etüden: Czerny, Brahms; rep. Schubert, Em. Bach, DaquinPresumably Louis-Claude Daquin (1694–1772), French composer of suites for harpsichord and settings of carols for organ. See also her lesson notes for April 24 ...
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... Harmonie; Brahms an Richard Strauß. October 22, 1912 Weisse: Suggestions regarding the second theme of the first movement; admission by the composer that he had worked feverishly on it. On ways of shaping the content organically, demonstrated on the basis ...
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... Schenkerian Studies iv (2010), 87–186, esp. 184. Ueber Mittel organischer Herstellung; aus dem Asd Walzer Beispiele. November 5, 1912 Weisse: Explanation of my corrections to his Quintet. On means of organic generation; examples from the A major Waltz. ...
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... 28. Weisse: neu bis zur Muszet-Variation.Of Brahms’s Variations on a Theme by G. F. Handel, Op. 24. Variation 22 is constructed over a continuous B organ-point, and in his essay of 1924 on the work in Der Tonwille 8–9 Schenker remarks that it has ...
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... a result of the remarkable organization of measures 1–4 and all its reiterations, especially in the development section, in which in the metrically weak fourth measure no change of harmony occurs. Revisited: first movement, likewise already really ...
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... 4. Pairamall: Bm zum 1. mal gespielt.Schenker’s diary for this day records: “In her conversation about Siroki, Mrs. Pairamall demonstrates the full organ-point of her heart's rawness; now the story goes that Siroki is already boring her; he strikes ...