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... 4. XII. Hupka: Brahms Studien sehr gut; mit stummem Finger.Perhaps this refers to passages in Brahms’s piano music in which one finger has to hold while others move around it: e.g. many of the 51 Übungen für Pianoforte, and the Variationen über ein ...
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... 22. Hupka: über die IX. Sinf. aus Anlaß der Aufführung am Abend.The Vienna Concert Society performed Beethoven’s Ninth Symphony in the large hall of the Musikverein Building at 7.30 p.m. on February 23, under the direction of Ferdinand Löwe ...
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... 23. Pairamall: Bach Gm Konzert, 1. S; Vortrag nach dem Violinpart im Am Concert.Cf. her lesson notes for April 26. Schenker probably refers to the J. S. Bach Violin Concerto in A minor, BWV 1041, but he might be referring to the C. P. E. Bach ...
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... erst in der Fuge bemerkt. June 27, 1913 Pairamall: On Forkel‘s presentation of the difference between Bach‘s polyphony and that of his forerunners; explanation of the true meaning of a voice; on the “song” of a voice, and the polyphony encountered ...
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... 10. X. Breisach: Chopin, Präludium Fism, T. 1–6Schenker’s diary for October 10, 1913 has an entry reading: “Sketches for Chopin's Prelude in F minor for the Little Library.” The sketch was never published, but is preserved at OC 32/103–107. u ...
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... 4. XI. Breisach: Aus Brahms 1. Sinfonie; Haydn: Klaviersonate CdurPossibly Hob. XVI/35 or XVI/48.; Violin-Konzert von Brahms u. Skizzen zu op. 110.Schenker’s diary for November 2 records: “Arrival of the sketches for Op. 110 and Op. 111 from Berlin ...
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... 25. XI. Weisse: op. 110 neu Recitativ, Fingersatz zum Arioso; repet. Scherzo; ursprünglich zu dick, dann entdickt u. sonst recht gut. 1. Satz repet., am schwersten Teilgedanke b.Cf. Breisach’s lesson for November 18. — Schenker’s diary for November ...
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... 15. XII. Elias: Emerson vorgelesen;Schenker had read out to Sofie Deutsch what appears to have been the essay “Gifts,” published in 1844. Bachs Reprisen-StückeReference to C. P. E. Bach’s two volumes of Kurze und leichte Clavierstücke mit ...
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... 24. Hupka: op. 110 Erstes Arioso zuende, neu; rep.: die vorhergehenden Teile; dann op. 109, 1. S. ganz u. um vieles besser auch Var. 1 u. 2 u. Weihnachtspredigt.This cryptic allusion may perhaps refer humorously to something in the third movement of ...
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... in Meisterwerk 2 (1926), p. 121 (Eng. transl., p. 70). Cf. Breisach’s lesson for the same day. December 30, 1913 Weisse: Op. 110, fingering through to the close; performance of the second Arioso and again Mozart’s G minor Symphony, ordering of the ...