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... three sections, but constructed by rising harmonic thirds; the fourth in the motive as a fifth; on I–VI–IV–II V; Modulation as the result of harmonic re-interpretation, and once D major has been reached, D rising to D, rising to E; thus signifying not II ...
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... ; Brahms Waltz in D minor; articulation different from harmony; the change in the middle section on the basis of the passing note on the second quarter in the left hand; about the seventh-chord construction toward the close; on the changing notes in the ...
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... blessing than to pay 120 florins more!”). May 16, 1913 Stirling: Czerny Etudes, Brahms; the A minor section of the Grieg A major on account of its staccato. ...
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... . E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London: Eulenburg, 1974). The final chapter of the thoroughbass section, is chapter XXI, pp. 310–11 The ...
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... . Schumann Quintet: development section completely clarified; see form and see vol. I; from her program: Chopin Prelude in D major; coy thumb on the G in measure 4. ...
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... in C minor; explanation of the closing section, enlivening of the performance by concentrating on the principal points to which Chopin himself draws attention; the effect is then all the more impassioned the more strongly the narrative is brought into ...
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... the second, section 2, 5/2vertical, and 5/4/2vertical as far as the chord of the seventh; first glance at the chord of the seventh. For the most part correct solutions to problems in the G minor Ballade of Chopin. ...
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... October 16, 1914 Breisach: No entry in lessonbookSchenker's diary for Friday October 16 records: "Breisach appears again for his lesson. The explanation of the notorious passage in the development section [of the Fifth Symphony], where Beethoven ...
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... " in the lesson books. (The first is in the entry on Richard Figdor's lessons from the same semester.) An analytical sketch of this development section survives as OC 64/68, but it probably dates from a later period as it includes the annotation "Df ...
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... prepared (strict counterpoint VI–II), the second is prepared by way of a passing motion at a deceptive cadence V–VI etc. Thoroughbass, chord of the second, section I. ...