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... performance. He played regularly in Vienna, and between 1934 and 1936 taught in the violin master school at the Vienna Conservatory. He later helped Jewish musicians to get to Palestine, and organized the Palestine Symphony Orchestra. Hubermann and Schenker ...
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... Schenker in September 1923 in search of advice on the correct performance of orchestral works by Beethoven. The two men met on many occasions between 1923 and at least 1930 to discuss performance issues, their main focus being the third, fifth, and ninth ...
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... (Universal Edition) when Schenker was attempting to form a protective organization of composers and performers. In one letter (WSLB 133, August 26, 1912) Schenker remarks that he was someone “who considers the time has come for even musicians at last to unite ...
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... Leschetiztky against Korngold's criticisms, this campaign being related to the body that Schenker himself tried to set up, the "Organization of Creative and Performing Artists". Schenker once included him disparagingly among the "ranks of those noble ...
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... Creative and Performing Artists". No correspondence between Leschetizky and Schenker is known to survive. ...
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... Pianist, composer, and music theorist. Career Summary Réti studied at the Vienna Conservatory (= Akademie für Musik und darstellende Kunst) and Vienna University. As a concert pianist, he gave the first performance of Schoenberg's Drei Klavierstücke ...
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... ." On November 10, 1912, Rosenthal wrote to Schenker to say that he had heard nothing more of Schenker's planned "Organization for Creative and Performing Artists" (OJ 13/29, [9], quoted Federhofer). Correspondence with Schenker Correspondence from ...
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... lesser spirit? Dreadful performance of the Chopin Nocturne in G major (6/8); a player of such shallow spirit. Head of a master school! Especially since he is the first--and for the time being the only--Imperial-Royal Professor in Austria! What a mixed ...
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... and organ music. Among his many writings is "Die Fachhochschule für Musik und darstellende Kunst und ihre Entwicklung" (The Technical Highschool for Music and Performing Arts and its Evolution), unpublished (1928--printed in Nemeth). Correspondence ...
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... ). Schenker is also mentioned in his article Stehen wir an einem Wendepunkt? (unidentified periodical of around 1931: OC 2/82). He was peripherally involved in the abortive attempt by Schenker and others to set up an "Organization of Creative and Performing ...