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... 9. II. Stirling: : Fm Nocturne feilen; die Nebennoten in der Schlußpassage. February 9, 1912 Stirling: Polishing of the F minor Nocturne; the neighbor-notes in the closing passage. ...
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... ‘s Eccossaises; new: Prelude in C minor, meticulous; neighbor-notes and variants. ...
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... 17. V. Elias: Liszt: Canzonetta zuende; rep: Mazurka u. über die Nebennoten aus dem Cm Präl. May 17, 1913 Elias: Liszt: Canzonetta through to the end; revisited: Mazurka, and about the neighbor-notes in the C minor Prelude. ...
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... . — Schenker’s diary for April 17 has the entry: “Ueber die Nebennoten in Chopins Prälude 2.” (“Concerning the neighbor-notes in Chopin's Prelude No. 2.”). Quart im Motiv als Quint; über I–VI–IV–II V; Modul. durch Umdeutung, hierauf Erhöhung, d–dis–e; Erhöhung ...
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... consequences; about the descending third with three abbreviations; drastic modulation III–I, VI–I; about neighbor-note harmonies, especially those that appear to expresss V–I. ...
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... the Nocturne some points from the middle section; C minor Etude; harmonic aspects of the A major Mazurka by Chopin; especially about neighbor-notes in the form of VII–II in minor; falsification in Chopin. ...
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... concerning non legato as prerequisite; concerning the accumulation of the voices; regarding the trill on D; on the need to express melodic digressions as such; about modal mixture; about echo effects; normal neighbor-note constructions; return to the norm of ...
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... true 6/4 for the voice-leading of the bass, examples; bars 9–12: whether modulation or diatony with chromaticism; brevity as basis of twilight. On to No. 2: bar 1: passing-note and neighbornote in the form of a seventh chord; bar 2: first quarter ...
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Diary entry for 1907-05-25
... no part). As to Strauss's music: in its "motives" (one-measure ones, or even shorter!), it forever returns to the same cheap device, the device of tension through neighbor-notes; in its broader materials, on the other hand, it reaches an unparalleled ...
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... of d1 for e1 on account of consecutive fifths: In c.), I introduce first of all the neighbor-note motions above the third, and a further exchange, but still without the descending register transfer and still in four-part harmony, in order to clarify ...