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... 8. Hupka: Harmonien der Mozart-Fantasie; bis zum 1. Allegro; besonders über 6/4-Accord bei Quintfall; Tonikalisierung bei Sekundschritten u. Ellipse der Konsequenzen; über Terzfall mit 3 Abbreviationen; drastische Modul. III–I, VI–I; über Neben ...
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... 4. IV. Weisse: viel Aufgaben u. sehr gut; nochmals zurück auf Beeth. Cellosonate Cd; Mod.-Partie u. II. Ged. des 1. S. Zu beachten, von wo ab die Wiederholung des II. Ged. beginnt. Corrketur des kleinen Asdur Walzerchens.Most likely a new waltz by ...
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... , Langsamerwerden vor p, Beschleunigung beim u. ebenso in T. 10. Händel-Var. v. Brahms, Var. 1–4 gefeilt. October 8, 1913 Hupka: Op. 110 as far as the modulatory section; Chopin: A major Waltz (the first of the waltzes); left-hand staccato coloration of the ...
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... 4. XI. Brünauer: Vortrag der Nocturne, T. 1–8 u. Skizzen.Schenker’s diary for this day records: “Dr. Brünauer comes to his lesson moaning, and expresses his anguish that his own employees are dissenting against him, precisely at the moment in which ...
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... 4. XII. Colbert: rep.: Chopin: Cism mit Rückfällen, CmSome ambiguity arises from the notes to Colbert’s previous two lessons (November 20, 27) as to whether this was Op. 10, No. 12 or Op. 25, No. 12. sehr gut; Schubert: Impromptu GesdIn its original ...
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... 9. XII. Breisach: Bruckner: VII. Sinf., Durchführung, Reprise; einiges zum 1. Satz bezüglich der Tonika-Aufstellung u. der starken Taktteile; Adagio – ob 3- oder 4-teilig; Schubert: Impromptu GesdurIn its original form Schubert‘s Impromptu D899, No ...
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... 30. Breisach: Brahms Studien Quinten, Oktaven; noch einmal Ad Quartett, Adagio; Gründe der 4-teiligen Form;Harmonielehre, pp. 12–15 (Eng. transl., p. 11); Cf. Der freie Satz, §317, pp. 212–13 (Eng. transl., p. 141). über Taktzahl.Taktzahl: literally ...
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... /1; No. 8 Jesu, deine Liebeswunden. u. OppelThis probably refers to a composition by Oppel. On December 4, 1913, Oppel had sent Schenker a suite for violin that he had composed, and on March 6, 1914 Schenker wrote to him with criticisms of a composition ...
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... 4. Pairamall: Bm zum 1. mal gespielt.Schenker’s diary for this day records: “In her conversation about Siroki, Mrs. Pairamall demonstrates the full organ-point of her heart's rawness; now the story goes that Siroki is already boring her; he strikes ...
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... ) collected, on account of Riemann's article about Brahms […].” Generalbaß 4/3vertical beinahe ganz.C. P. E. Bach, Essay on the True Art of Playing Keyboard Instruments, Eng. transl. William J. Mitchell (New York: W. W. Norton; London: Cassell, 1949; London ...