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... : Sonatina in B E? major by Beethoven, new; about a type of musical consciousness that can deliberately place a restriction on the imagination for the sake of a work’s form; and about whether the player should perform as if he were surprised by every bar. The ...
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... Beitrags zur Ornamentik; der Wert autographer Stimmen; über das Trio im Scherzo v. Brahms, op. 60;Schenker worked on Brahms’s Piano Quartet No. 3 in C minor, Op. 60, in October 1913 with a view to publishing his material in his planned Kleine Bibliothek ...
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... 22. XII. Weisse:Schenker’s diary for this day has an entry beginning: “A little confusion on the part of young Weisse gives me occasion to explain the advantages of thoroughness, in particular, in connection with how much shorter a thorough study ...
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... Chorälen, ab Erk No 59Ludwig Christian Erk, Johann Sebastian Bachs Choralgesänge und geistliche Arien (Leipzig: Peters), Part I (1850), Part II (1865): "Herzliebster Jesu, was hast du verbrochen," from J. S. Bach, St. Matthew Passion, BMV 244.; Studien mit ...
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... as well as six Bagatelles and the Rondo a capriccio Op. 129 (“Rage over a Lost Penny”). Schenker’s diary describes a rehearsal at the Konzertsaal on December 14 in which Hupka says he will be repeating the concert in the Großer Saal, which seats over ...
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... . 81, a. Bach: Italienisches Konzert. Chopin: Polonaise Bdur. Händel: Chaconne Gdur. Chopin: Berceuse, Walzer Asdur wiederholt. Theoretisches: Transposition von Bachs Konzert Edur in Form Klavierkonzert Ddur.This may have been a comparison of J.S. Bach’s ...
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... Daily Viennese newpaper, the full name of which was: Neues Wiener Journal: unparteiisches Tagblatt (New Viennese Journal: Independent Daily Paper). It was published 1893–1939. Elsa Bienenfeld wrote music reviews for it from c. 1906 to the late 1930s ...
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... and symbol of the German army, which was its emblem. Walter Dahms was music critic for the paper in the 1910s, and wrote in support of Schenker and his theories in its pages. ...
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... Röntgen, who lived in Amsterdam from 1877 to 1925, and Johannes Messchaert (1857‒1922), with both of whom Schenker was on good terms from the 1890s, and with both of whom he corresponded (OJ 13/27 and 12/54). In 1908, Schenker hoped that Röntgen would ...
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... Polish-born American pianist, composer, teacher and critic, brought to the US at the age of 3. After studying composition with Copland and Sessions as a teenager he went to Paris to study with Nadia Boulanger (1927–31). During the 1930s Citkowitz ...