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... Editorial note: This printed essay is in two parts, the first devoted to Schenker’s edition of the Beethoven piano sonatas, the second to his major theoretical works. The pages are numbered “8, 9, and 10” but give no clues as to the publication for ...
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... Gustav Mahler and members of the Wittgenstein family. In 1926, Kohn was a member of the Genossenschaft der Klavier-, Harmonium und Orgelbauer in Wien (Association of piano, harmonium, and organ manufacturers in Vienna). At the end of the 1920s, together ...
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... and Schenker Schenker attended numerous VPO concerts during his days as a concert reviewer in the 1890s and throughout the remainder of his career, and from 1924 onward by listening to its concerts via Radio Wien, commenting on its performances in his ...
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... collections of manuscript and printed music, as well as of theoretical sources, letters, and private collections. For Schenker its importance lay especially in its holdings of autograph manuscripts and first editions of music by J. S. Bach, Mozart, and ...
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... Zemlinsky offered music-theoretical and historical topics. Bienenfeld repeatedly took up the cudgels as a publicist for the Second Viennese School. Between c. 1906 and the 1930s, she wrote music reviews for the Neues Wiener Journal. After the annexation of ...
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... invitation from Toni and Carl Colbert to Schenker (OJ 9/30, [A], [C], [1]–[6], [6b], [7]: 1912–20), and two letters from Schenker to Toni Colbert (OC 1B/15 and 13, 1912, 1916), as well as many references to others in Schenker’s diaries. ...
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... see the proofs of his edition of the J. S. Bach Chromatic Fantasy & Fugue when he himself had not yet seen them. (Hertzka explained that no proofs had yet been produced, and Godowsky's assistant had merely glimpsed the pile of manuscript for the work ...
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... , Nr. 19622, 10. April 1919, Morgenblatt, S. 19.) Schenker responded to this advertisement, and he and Jeanette Kornfeld stayed at Schloß Tantalier from July 6 to September 12, 1919 (OJ 2/14, pp. 2095 and 2140-2141). The castle, its surrounding, and the ...
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... annihilate Kretzschmar's verbal extravagances." The contemptuous phrase "Kretzschmar e tutti quanti" (Kretzschmar and all that lot) appears frequently in Schenker's letters. Schenker's plans during the 1910s for a Kleine Bibliothek were to some extent modeled ...
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... was a member of the First Piano Quartet (1943–63). In 1964 he returned to Europe, where he again worked as an accompanist. As a composer, Mittler wrote one opera, chamber music, piano pieces, and songs. Mittler and Schenker Mittler appears in Schenker’s ...