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Das weitere werden Sie wol mit der Firma
                    Cotta
                    besorgen??
2
 – Auf Wiedersehen am 23ten nach dem
                    Concert
3
 – auch bei Hartmann, nicht wahr?  Herzl. G[rü]ße in Eile und
                nachträglich tausend Dank für Ihre {2} opferfreudige Reise nach Prag.  
© Transcription Ian Bent,  2021 | 
The rest you will no doubt take care of with
                the firm of Cotta.
2
 – Good bye until the 23rd after the concert
3
 – also at Hartmann’s, isn’t that
                right? Cordial greetings in haste, and, in addition, a thousand thanks for your {2} willingly sacrificial journey to Prague. 
© Translation Ian Bent,  2021 |  
| 
Das weitere werden Sie wol mit der Firma
                    Cotta
                    besorgen??
2
 – Auf Wiedersehen am 23ten nach dem
                    Concert
3
 – auch bei Hartmann, nicht wahr?  Herzl. G[rü]ße in Eile und
                nachträglich tausend Dank für Ihre {2} opferfreudige Reise nach Prag.  
© Transcription Ian Bent,  2021 |  
| 
The rest you will no doubt take care of with
                the firm of Cotta.
2
 – Good bye until the 23rd after the concert
3
 – also at Hartmann’s, isn’t that
                right? Cordial greetings in haste, and, in addition, a thousand thanks for your {2} willingly sacrificial journey to Prague. 
© Translation Ian Bent,  2021 |  
| 
Footnotes
1 This letter must date from November 13 or shortly after, 1905. Schenker’s
                        attendance of the première of d’Albert’s opera Flauto
                            solo in Prague on November 12 can be inferred from paragraph
                        2 in conjunction with that in paragraph 1 regarding Cotta, despite the
                        absence of any record in Schenker’s diary. 
2 D’Albert
                    had written to J. G.
                        Cotta of Stuttgart a letter of recommendation of Schenker’s 
Harmonielehre
 on November 13, 1905 on the basis of
                    which Cotta accepted the work (OJ 9/31, [2], Cotta to d’Albert, November 14, and (OJ 9/31, [3], Cotta to
                    Schenker, November 15). Cotta had initially rejected Schenker’s proposal
                        (CA 1-2, November 8;
                        OJ 9/31, [1],
                    November 9). 
3 Piano recital
                    by Eugen d’Albert in the Bösendorfer Recital Hall, the program comprising
                    sonatas by Beethoven, Brahms, Weber, and the Liszt B minor Sonata. The reference
                    to Hartmann is unexplained. |  
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Commentary
Format
			1p letter (folded once transversely), holograph salutation, message, valediction, and signature
		  Provenance
				Schenker, Heinrich (date of entry-1935)--Schenker, Jeanette (1935-c.1942)--Ratz, Erwin (c.1942-c.1945)--Jonas, Oswald (c.1945-1978)--University of California, Riverside (1978--)
          Rights Holder
				Heirs of Eugen d'Albert; deemed to be in the public domain
          License
				All reasonable attempts have been made to identify the heirs or representatives of Eugen d'Albert.  This document is deemed to be in the public domain.  Any claim to intellectual rights on this document should be addressed to the Schenker Correspondence Project, Faculty of Music, University of Cambridge, at schenkercorrespondence[at]mus(dot)cam(dot)ac(dot)uk.
           Digital version created: 2021-12-14Last updated: 2011-04-15
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