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OJ 9/6, [32] Handwritten postcard from Eugen d'Albert to Schenker, dated September 2,
1900
Eugen d'Albert gives the schedule of forthcoming performances of his
opera.
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OJ 9/6, [33] Handwritten letter from Eugen d'Albert to Schenker, dated October 17,
1900
Eugen d'Albert reports the success of his operas "Kain" and "Die
Abreise" in Prague and Dresden, and points out that Vienna is the only sizeable
German[sic] stage not to have staged "Die Abreise."
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OJ 9/6, [35] Handwritten letter from Eugen d'Albert to Schenker, dated July 18,
1903
Eugen d'Albert agrees to look out for vacant posts suitable for Schenker
while he is in Germany. He hopes to see him at his forthcoming premiere in Prague,
and looks forward his new [C. P. E. Bach keyboard works] edition.
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OJ 9/6, [36] Handwritten postcard from Eugen d'Albert to Schenker, dated November 22,
1903
Eugen d'Albert reports a position vacant in Frankfurt.
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OJ 9/6, [41] Handwritten letter from Eugen d'Albert to Schenker, dated June 15,
1905
Eugen d'Albert gives reasons why he cannot use "Amor und Psyche" as a
basis for a composition. He asks whether Schenker will be in Prague for the première
of his opera "Flauto Solo."
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OJ 9/6, [45a] Handwritten letter from Eugen d’Albert to Schenker, undated [c. November 18,
1905]
Having recommended Schenker's Harmonielehre to J. G. Cotta, publisher,
Eugen d'Albert hands the matter over to Schenker. He proposes a meeting after his
recital on November 23, and thanks Schenker for attending the première of his opera
"Flauto solo" in Prague.
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OC 52/426 Typewritten letter from Hertzka (UE) to Schenker, dated October 29, 1910
Hertzka notes Schenker's wish that his Chromatic Fantasy & Fugue edition
be publicized as with "Erläuterungen" and asks Schenker to help him word a publicity notice.
— He wishes to finalize the contract for Beethovens neunte Sinfonie in person and to discuss
plans for the Beethoven Sonatas, on which he has spoken with Wilhelm Bopp with a view to a
grant from the Ministry of Education.
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OJ 13/35, [2] Handwritten letter from Hilde Rubinraut to Schenker, dated September 1,
1922
Hilde Rubinraut explains her difficulties as a resident of Prague visiting
Vienna under current conditions; she asks Schenker in which currency she should pay his fee;
and seeks advice as to whether she should continue taking one piano and one theory lesson,
or opt, for a time, for two piano lessons.
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OJ 13/35, [3] Handwritten letter from Hilde Rubinraut to Schenker, dated September 7,
1922
Hilde Rubinraut asks Schenker to name a gilt-edged currency in which to pay
him, and decides to opt for two piano lessons per 3-weekly visit.
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OJ 6/7, [4] Handwritten letter from Schenker to Moriz Violin, dated December 21, 1922
Schenker reports the imminent publication of Tonwille 3, and some new publishing
ventures, including a (new) edition of music by C. P. E. Bach and an "Urlinie Edition" of the
Short Preludes by J. S. Bach.
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OJ 13/35, [4] Handwritten letter from Hilde Rubinraut to Schenker, dated January 5,
1923
Hilde Rubinraut reports that she has her permanent Austrian visa. -- She is
pregnant, and will have to defer visits to Vienna for a few weeks.
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OJ 10/18, [3] Handwritten letter from Elias to Schenker, dated July 11, 1928
Miss Elias is glad that Schenker is "not dissatisfied" with her graphings of
his piano piece Op. 4, No. 1 and looks forward to her October lessons for a detailed
discussion. — She inquires about Vrieslander's "monograph." — She was interested to see the
autograph and first edition of "Erlkönig" juxtaposed in a Schubert
exhibition.
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OJ 10/3, [120] Handwritten postcard from Deutsch to Schenker, dated March 2, 1930
Deutsch has come across information suggesting that there may be parts, even a
score, of the "Eroica" Symphony with corrections in Beethoven’s hand from the music library
of Archduke Rudolph and still located in Olmütz [Olomouc].
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OJ 10/3, [145] Handwritten picture postcard from Deutsch to Schenker, dated April 2,
1931
Deutsch comments on Schenker’s essay on a “lost Mozart letter,” to be
published in Der Kunstwart. He does not himself question its authenticity but advises
Schenker to get in touch with Richard Benz in Heidelberg about it.
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OJ 10/3, [147] Typewritten letter from Deutsch to Schenker, dated May 2, 1931
Deutsch asks Schenker to return the edition of the first version of
Beethoven’s Variations WoO 74. Needing a few weeks’ peace and quiet in the summer holidays,
he is looking for a place in the Tyrol that is more than 1,500 meters above sea level, and
asks Schenker’s advice about accommodation, possibly in Galtür.