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WSLB-Hds 95660 Handwritten postcard from Schenker to Seligmann, dated November 13, 1904
Schenker congratulates Seligmann on his most recent feuilleton in the Neue
Freie Presse..
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WSLB-Hds 95662 Handwritten postcard from Schenker to Seligmann, dated August 29, 1906
In this amusing message congratulating Seligmann on his latest feuilleton,
Schenker comments on the proper speed for the “little duet” between Giovanni and Zerlina and
notes the gulf separating the performance of Don Giovanni at the Salzburg Festival (the
conductor is not named) and the Mozart performances conducted by Mahler (at the Vienna State
Opera).
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WSLB-Hds 95661 Handwritten postcard from Schenker to Seligmann, dated April 27, 1908
Schenker congratulates Seligmann on his latest feuilleton and shares his own
similar views about the relationship between nature and the art of
painting.
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WSLB-Hds 95656 Handwritten postcard from Schenker to Seligmann, dated December 3, 1909
Schenker congratulates Seligmann on his latest feuilleton in the Neue Freie
Presse, and asks for clarification about a matter concerning an essay on Byron’s Manfred and
his friend Moriz Violin.
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WSLB-Hds 95657 Handwritten postcard from Schenker to Seligmann, dated June 6, 1911
Schenker congratulates Seligmann on his latest feuilleton and shares his own
similar views about the relationship between nature and the art of
painting.
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WSLB-Hds 95658 Handwritten postcard from Schenker to Seligmann, postmarked May 11, 1913
Schenker congratulates Seligmann on his latest feuilleton, especially on the
enduring values of the classical and Romantic artists. — His critical edition of Beethoven’s
Op. 109 will appear soon. — He has received a personal request from Hugo Riemann to provide
biographical details for an entry in Riemann’s Musiklexikon.
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WSLB-Hds 95659 Handwritten postcard from Schenker to Seligmann, dated September 26, 1924
Schenker reports a visit from a Munich art historian, Wilhelm Hausenstein;
despite their strong artistic and political differences, the afternoon was entirely
civilized.