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OC 52/431 Typewritten contract (carbon copy) between UE and Schenker for Beethovens neunte
Sinfonie, dated November 6, 1910
Contract for Schenker's monograph Beethovens neunte Sinfonie
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OC 52/60 Typewritten letter from Hertzka (UE) to Schenker, dated November 5, 1910
Hertzka is pleased that Schenker's conversation with Wilhelm Bopp has gone
promisingly, and that Schenker is agreeable to the alternating publication of Beethoven and
Bach. — He is sending a new draft contract for Beethovens neunte Sinfonie.
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OC 52/61 Typewritten letter from Hertzka (UE) to Schenker, dated November 9, 1910
Hertzka will speak to Wilhelm Bopp to explore the position over the parallel
publication of Beethoven and Bach works, but admits there remains the thorny issue of the
need for a subsidy.
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OJ 13/37, 13 Handwritten letter from Ernst Rudorff to Schenker, dated November 16,
1910
Rudorff approves of the [highly controversial] Introduction to Schenker's
Kontrapunkt I. — He discusses favorably Schenker's edition of the Chromatic Fantasy and
Fugue, raising some technical matters.
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OJ 15/6, [9] Handwritten letter from Fritz Wahle to Schenker, dated November 10, 1910
Fritz Wahle thanks Schenker for sending him a copy of his critical edition of
Bach’s Chromatic Fantasy and Fugue. He agrees with all of Schenker’s remarks on performance,
adding that all serious musicians will learn a great deal from the performance markings of
the masters.
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WSLB 69/71 Handwritten letter + inclosure from Schenker to Hertzka (UE), dated November 1,
1910
Text of flyer for Chromatic Fantasy & Fugue edition, with covering note
discussing plan for last five Beethoven piano sonatas in combination with Well-tempered
Clavier, Book 2.
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WSLB 70 Handwritten letter from Schenker to Hertzka (UE), dated November 7, 1910
Schenker suggests either a Hertzka-Bopp or a Hertzka-Schenker meeting to
discuss the combined release of the last Beethoven piano sonatas and Book 2 of the
Well-tempered Clavier.
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WSLB 72 Handwritten letter from Schenker to Hertzka (UE), dated November 11, 1910
Schenker asks for copies of his Beitrag zur Ornamentik and Chromatische
Fantasie & Fuge to be sent to Wanda Ladowska.