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... meine hier ausgeworfenen Anker recht festen Grund. Die dritte Theorieklasse wird wohl im Laufe des Februar akut werden. Die bisherigen beiden sind bis zu den Mischungsreihen vorgedrungen."Mischungsreihen": these are scales based on a combination of tones ...
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... " does not appear either in the formal diagram (p. [136]) or on the section title-page (p. [135]) [Eng. transl., pp. 138, 137]. Indeed, it is sparingly used in Schenker's analysis and performance sections (usually just to denote the first three tones ...
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... , vols. 1 (1925) and 2 (1926). u. Tw. 2 Moz. Son. am. letzter Satz, T. 5–8,Schenker is referring to the essay on Mozart's Sonata in A minor, K. 310 in Der Tonwille 2; in that analysis, the supposed consonant passing tone is treated as part of the main ...
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... not run as completely in step with the "logical" progression as my image ‒ so badly misunderstood! ‒ seems to say. The composer’s imagination is secretly set on fire by a tone progression or where there is a gift for improvisation by a sweeping ...
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... -too off-hand tone of the General Secretary contrasted surprisingly inauspiciously with the tone in which Your Excellency's invitation and my own letter of response were couched, and which alone seems to me appropriate to the great matter with which it ...
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... still have been his duty to abide by his word to us, since he had completely spontaneously, what's more several times, assured us most emphatically that the jam would be sent. The tone of his letter was thus uncalled-for, etc."). Dein Brief = OJ 14 ...
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... , starting with : | () () . stellen die Töne der Ddur Diatonie dar: 1 2 3 4 5 6 7 8 ( d e fis g a h cis d ). Alles melodisch Individuelle mündet in sie, u. wie anderseits die Stufen sich in ihren Dienst stellen, habe ich auch gezeigt. Alle anderen Zahlen ...
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... S. F. 14. April 1941 253 Buena Vista Ave. Lieber u. verehrter Freund! Nun, nach 14 Tagen will ich Sie leise erinnern! Bitte um Ihren Vortrag (mit Beispielen!).Violin had asked for the text of Schoenberg's Composition with Twelve Tones lecture of ...
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... , meine völlige Gleichgiltigkeit punctoNote how Schenker uses Latin words and phrases, sapiente sat earlier, puncto here; he does this frequently to raise the tone of discourse or to overawe his correspondent; in this case, it is more likely to be on the ...
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... -gathering issue. The same applies to each translation, and moreover also to each edition of the Beethoven Sonatas edited him in perpetuity. Universal Edition undertakes not to use the succession of tones reconstructed by the author in the editions edited by him as ...