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Searched for octave in Diaries (11 results found)

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  • Diary entry for 1907-02-28

    ... Ruine,‒ Inhaber eines OctavenglissandoEffektes,‒ nichts mehr weiter . Thurs. 28. Reisenauer evening: A pitiful ruin of a man, ‒ possesser of an octave glissando effect ‒ nothing more further . ...

  • Diary entry for 1933-01-14

    ... 14. -7°! 8–8- u. 5–5-Folgen für Der freie Satz in Angriff genommen. Per Erlagschein Geld an: Sprachverein, Callway, Telefon. Nach der Jause bei der Miederin u. a. Von Marx (K. expressOC 18/18): kommt Montag um ½6h. 14, -7°! Parallel octaves and ...

  • Diary entry for 1932-05-22

    ... ’clock at the Café Aspang? After supper, a further dictation for Free Composition: "Consecutive Octaves and Fifths," and "Passing Tone" accomplished! ...

  • Diary entry for 1931-04-20

    ... "Foreground" (Octave, Fifth, Fourth) for Free Composition. ...

  • Diary entry for 1932-05-19

    ... ." Result: sugar 1.05%, acetone 0.015, protein 0.006%. Miss Pairamall again cancels at the last moment. After teatime, at Penižek’s, Pirringer’s, Vidor’s. Short dictation on Consecutive Octaves for Free Composition. A game of solitaire completed in two ...

  • Diary entry for 1925-04-14

    ... treatment of octave register, which covers the coming and going, in Brahms's Quintet in G major, in Beethoven's string quartets, etc. After lunch in nice weather in the Botanical Garden, I polish, Lie-Liechen reads. Polishing complete, utterly tired out. ...

  • Diary entry for 1932-12-30

    ... : consecutive octaves and fifths. In the morning, snowfall! To Karpath (letter): I have not had an answer from Schmidt or Marx, in spite of you yourself having given me occasion to write letters, and to spend money and time! But, under pressure from Mrs. H. and ...

  • Diary entry for 1931-02-05

    ... compilation of parallel fifths and octaves, which Schenker used as the basis of Johannes Brahms: Oktaven und Quinten u. A. (Vienna: Universal Edition, 1933). senden; bittet Weisse um das Oktett, will es in Kiel aufführen; er bewerbe sich um eine Stelle in ...

  • Diary entry for 1930-04-21

    ... should not be overlooked when one relates " tonality" in the narrower sense to the foreground, as the sum of all events, and " diatony" to the background as the succession of tones in the octave. In other words, if the differences between foreground and ...

  • Diary entry for 1927-12-08

    ... regular periods. I show him, on the contrary, the octave coupling f1–f2, gl–g2, a1–a2 as the leading factor, and also decisive for the rhythm. I explain the path to the root A from the progression of the bass: F–A–C–F. We speak at length about the Trio ...

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