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Searched for "compositional" technique in Diaries (721 results found)

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  • Diary entry for 1934-04-23

    ... visit from Hirsch; concerning the calculation. To Brünauer (postcard): I invite him for Saturday at 11:30 to have a look at the manuscript of Free Composition. From Vrieslander, Vol. I (Hans Guttmann’s copy); the volume lent to Rothberger, confirmation ...

  • Diary entry for 1934-06-23

    ... :30. From UE (letter and contract for Free Composition): must be studied carefully. From Miss Elias (picture postcard): greetings. After teatime, in the garden on various seats: we move with the sun, read. ...

  • Diary entry for 1934-09-10

    ... with her first words of recognition for the galley proofs 1–7 for Free Composition; herself moved, she also moves me to tears! A thousand thanks for the communion of our souls. From UE (via messenger): the fourth notebook. From Rinn, a quantity of ...

  • Diary entry for 1934-09-21

    ... Rezepisse über ausgezahlte Nachnahme: S. 5.30. Um 8h Deutsch am Telephon: entschuldigt sich, geht für 8 Tage nach Baden! Um ½9h stellt sich ein Mädchen vor: zum Lachen. 21, blue sky. Work on p. 61 of the fourth notebook for Free Composition. From Brünauer ...

  • Diary entry for 1936-07-22

    ... Conservatory. I give Mr. Buchwald the prospectus for Free Composition – I discover that Der Tonwille is missing from the list of publications! – and he promises me that he will have it displayed in a music shop. We shall see. B. is indeed the vain man that he ...

  • Diary entry for 1913-10-06

    ... bietet! BriefWSLB 183 An Hertzka die Bitte Scarlatti Domenico Scarlatti: Klavierwerke/Piano compositions/Oeuvres pour le piano, edited by Heinrich Barth, 4 vols. (Vienna: Universal-Edition, 1902). u. Chopin Frédéric Chopin: Polonaises, Sonaten, Nocturnes ...

  • Diary entry for 1916-12-30

    ... year's greetings. From Halm, a volume of piano compositionsOJ 11/35, [0]. The best thing about it is the laudable intention; but how little is something whose execution – as here – is still so primitive. In every corner, at every end, nothing but ...

  • Diary entry for 1919-11-04

    ... conductor was not familiar with certain innermost secrets of the composition, which is why they were necessarily lacking in the performance as well; even the first two fermatas were simply coordinated, and not, as the author intended, matched with one other ...

  • Diary entry for 1929-03-10

    ... was one of them. I warned him not to go off the rails here, explaining: there reigns above all forms the law of tonal space, which cannot however be derived from form but only from the Urlinie. He is planning compositions but will – as he expresses it ...

  • Diary entry for 1931-03-02

    ... “ Presumably in Viennese dialect, as a change from high German and in agreement with the Viennese popular music that is being performed. – ich erwache. March 2, 1931, bright, +½°; storm. Work on "Exchange [of Voices]" in Free Composition. 10:30 to 11:15, trip ...

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