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... ; Chopininesque piano writing pointed out in the D major middle section; more on the great D to the opening of the consequent. ...
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... Brahms Trio, Op. 114; especially about antecedent and consequent; demonstrated in Mendelssohn's Songs without Words; about possibilities for extension. ...
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... 28. Colbert:Schenker’s diary for this day records: “Mrs. Colbert recounts her mishap with her son. In fact, such an experience is only comparable to an elementary catastrophe. Nature, admittedly, merely fulfilled the consequences of the parents ...
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... Wiederholung von Takten im Laufe eines Gedankenbaues. October 15, 1912 Weisse: Some questions arising from my Theory of Harmony, thus: the seventh and the 7th overtone; antecedent and consequent; the example of Chopin in my Theory of Harmony from the F major ...
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... chamber music." (He and Hupka had volunteered for military service on February 20.) Consequently, the diary for Tuesday March 2 records: "For the first time, Breisach’s lesson is not in the calendar; we use the extra time to move forward more quickly on ...
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... but to F minor: the A accidental signals a return modulation. Already in the first section there are elements of a second modulatory move that, however, fails this time and has consequently found refuge distributed in the two main sections. Difficult ...
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... to chapter. — Schenker’s diary for this day records: “Letter to Miss Elias, in order to impede the consequences of her clumsiness, by which she wishes to use a gift she intended for me as something nonetheless to be thrown at me. On this occasion, a ...
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... consequences; about the descending third with three abbreviations; drastic modulation III–I, VI–I; about neighbor-note harmonies, especially those that appear to expresss V–I. ...
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... ’s diary for March 26 reads: “Carlyle's essay on men and heroes ultimately transmits neither a positive nor negative message. It seems typical that Carlyle presents his ideas in such a way that one perceives them more as a sequence than a consequence. A ...
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... until the B major–F major theme; it is impossible for all the preceding material to be thought of as the modulatory section; consequently the second theme must be inferred earlier, at the first cantabile turn of the G major. There is a serious error at ...