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... 12/XII. Newlov: Konzert:It is not possible, on the basis of the lessonbook, to determine which concerto this is, though Newlov’s lesson notes for December 5 suggest that it, too, is by Beethoven; however, this note makes a comparison with the ...
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... true 6/4 for the voice-leading of the bass, examples; bars 9–12: whether modulation or diatony with chromaticism; brevity as basis of twilight. On to No. 2: bar 1: passing-note and neighbornote in the form of a seventh chord; bar 2: first quarter ...
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... . — Schenker’s diary for April 17 has the entry: “Ueber die Nebennoten in Chopins Prälude 2.” (“Concerning the neighbor-notes in Chopin's Prelude No. 2.”). Quart im Motiv als Quint; über I–VI–IV–II V; Modul. durch Umdeutung, hierauf Erhöhung, d–dis–e; Erhöhung ...
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... ; Brahms Waltz in D minor; articulation different from harmony; the change in the middle section on the basis of the passing note on the second quarter in the left hand; about the seventh-chord construction toward the close; on the changing notes in the ...
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... text with measure numbers but with a page of sketches for the Andante (175) – there are no notes on the Finale. There are textual parallels between the lessonbook notes and parts of the text. His copy of the Eulenburg miniature score survives with ...
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... despair at the capture of Warsaw by the Russian army in September 1831, though there is little evidence to support this, and Schenker may in any case have been unaware of the claim.) — Cf. Colbert’s lesson notes for November 27, which seem to clinch the ...
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... more simply to changes of musical material that have been presented previously in a piece. (Despite the reference to earlier lessons, the word ”Umstellung” does not appear earlier in this or in previous lessonbooks since Weisse’s first lesson notes in ...
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... 11, 1912 Brünauer: C minor Etude as far as the cadence in E bar 28; yield to the many notes, instead of misguidedly trying to rush them to fit them in. The raising of one finger while the one next to it is held down in order to achieve decrescendo ...
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... Kahn: Jeanette Schenker writes these notes continuously, in a single paragraph. Beethoven: Sonate op. 31 No 1, No 2, op. 7. Schumann: „Des Abends“, „Warum“, Traumeswirren. Chopin: Nocturne Fdur, Dmoll.There is no Nocturne in D minor (Dmoll). Most ...
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... that they should later be copied into the diary.). The confusion between “Gattung” and “Satz” recurs almost identically in Vrieslander’s lesson note for February 22 – since Schenker would not have made so rudimentary a mistake, one might assume that it ...