... songs: "Ich stand in dunkeln Träumen"; Haydn: Piano Sonata in E-flat major with a view to achieving a line. ...

... Satz (Three- and More-voiced Counterpoint; Bridges to Free Composition).; Beethoven op. 109, wiederholt; Haydn: Andante FmollPossibly Haydn, Piano Variations in F minor, Hob. XVII/6., neu; Chopin: Nocturne Esd (op. 9); Mazurka Asd op. 17 neu; Mazurka Bm ...

... u. Capriccio Gmoll. Schubert: Impromptu Gdur. Chopin: Scherzo Bmoll. Hupka: Aside from the concert program, Mozart: Piano Concerto in C major. Beethoven: Op. 111, new. Mendelssohn: Variations sérieuses. Handel: Chaconne in G major and Capriccio in G ...

... -movement form. Form of a concerto as a whole. [Immanent necessity of this form; the relationship of the orchestra to the piano; the orchestra must go first, as bearer of the simpler version; the piano follows in second place, because pianistic figurations belong ...

... sustaining of the tone, by contrast with the piano. Registration not equal to piano touch; touch, e.g. that of marcato, simulates a duration that is really not sustained; woe be it if the organist simulates it, for if he lifts his hand, the tone ceases ...

... of Chopin: Etude in C minor; Brahms: Capriccio in B minor once more; Bach: Violin Concerto in E major; Chopin: Waltz in C# minor: to learn basis for performance; Berceuse, new (compared to Pugno); Beethoven: Piano and Violin Sonata in C minor ...

... themselves are not classics, they would rather avoid each other than stand by each other. But what is thoroughly disgusting is the scene that Pollak depicts of when he came to Mrs. Deutsch by invitation. As her invitation also included playing the piano four ...

... families of flutes and oboes. On a possibly diverse way of playing the overblown notes, similar to string change on string instruments and the nuances of touch on the piano. H.S.+ ...

... 18. Vrieslander: Anfang des 3-stimm. Satzes noch einmal Stufen, Stimmführung Orchester-Scizze zu „ernste Gesänge“ von Brahms.Brahms wrote his “Four Serious Songs” for bass voice and piano; he did not himself produce an orchestrated version ...

... 16/XII. Deutsch: Bericht über die Erfahrungen des ZusammenspielsLiterally “playing together,” but the lessonbooks and diaries give ample evidence that she performed in piano-based chamber music (e.g. the Brahms Clarinet Trio, played publicly in ...